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Thursday, May 31, 2007

Spaghetti Prose

Untitled WIP
Word Count: 16,779 / 80,000
(21.0%)

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I've come to the conclusion that writing a novel is a very squirrelly process. Certainly not linear, at least not in my case, because long after I finish a scene, I think of things I need to add in to make it richer or to lay the groundwork for something I want to happen later. I believe this is called "layering". Having stumbled on to a process I've heard so much about, the good news is that term no longer scares me.

This very different than short story writing. For me, writing short stories was very linear. I might retreat a few paragraphs but I could pretty much knock out the first draft. In revision, I'd cut, edit, and layer a bit but the first draft was pretty much full-steam straight ahead.

Novel writing is also not circular. Sometimes a thought sends me back to the last words I wrote. Other times, I jump back to the beginning or somewhere else in between. I've even been tempted to jump ahead several unwritten scenes for something that's burning to get out but that I believe might actually bring "story magic" to my prose.

Nope. Getting the book within out and on paper is more like following an unending piece of spaghetti.

Although I continue moving forward, I'm back and forth, in and out, seemingly all over the place. No wonder folks give up! The storytelling process can be a bit daunting.

Yet, it can also be fun. The more I come up, the more my creative juices flow. Now I'm worrying that my target word count may be too low since I'm already 20% of the way through the book and there's still so much story to tell. I figure that's a good problem to have.

I won't change the target. I'll just keep writing. Maybe I'll find that the other 80% was a bigger bucket than I realized and it's a good thing more fish kept jumping in. Maybe the bucket will overflow and I'll be faced with cutting, resulting in a tighter novel. I suspect it will be a bit of both. And in the end, my story will be richer for it.

I'm cranked. Can you tell?

In my current wip, I've thought of a whole series of actions/events that I have to go back and fit in, and a few things I'll need to change, in order to make the story more believable. At least seven whole scenes. I made a few notes and decided to continue writing, keeping these changes in mind. My ending is still the same, but the route to get there is morphing, taking on different, unexpected twists every day.

What's it like for you? How would you describe your process? More linear, circular, or spaghetti?

Back to dialogue and attributions on Friday.

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Wednesday, May 30, 2007

What Makes for Good Dialogue?

Untitled WIP
Word Count: 15,336 / 80,000
(19.2%)

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I know I said we'd talk about theme but I read a post on another blog that made me think about one of the things I sometimes struggle with in my writing.

Dialogue.

When I read good dialogue, it's almost as if I'm saying the words myself, or can hear them being said in conversation. When I read bad dialogue, it (a) annoys me; (b) makes me laugh; (c) causes me to skip ahead; (d) makes me close the book; or (e) all of the above.

What makes for snappy vs. boring dialogue?

You can read the entire CharisConnection post, but here are the things that stood out for me:

Snappy dialogue is:<
  • Sound
  • Unpredictable
  • Identifiable
  • Strategic
  • Brief
  • Balanced with beats
  • Approximated, not actual, speech
  • Not flowery
  • Not stilted, i.e. not too formal, too neat, or too cleaned up
  • "An extension of ACTION. Words are the tools used to get the character's way."
Snappy dialogue:
  • "Appears to" reflect real life
  • "Trusts the reader. It makes the point and moves on."
  • "Reflects the personality of the characters"
  • Only hints at accents or affected speech patterns
  • Starts "after the pleasantries"
Good dialogue is difficult to write. Like most writing techniques, practice makes perfect. I assume I'll get better at it as time goes by. But isn't it tough to get a scene out without failing on at least one of the above points?

Lots of real conversations are boring.
Remember staying on the phone for hours with your girlfriend saying nothing much but not wanting to get off the line (especially if it served to irritate your older brother)? Or two characters meet. Okay, so they don't do the "Hi, how are you?" routine. But yet several lines later, you realize that their dialogue is pretty mundane, they've each spoken at least 25 words each, and they haven't gotten to the point of the matter.

The high school English teacher won't get out of your head.
You find it near impossible to write grammatically incorrect sentences. However, let's face it. Most folks speak incorrectly. That's called dialect or even idiom. (A few things I learned in high school are still helpful!) And it may not mean really, really bad grammar, like using subject-verb mismatches, but it might mean starting a sentence with a preposition, or have an incomplete sentence that lacks a verb. Or maybe it's a run-on sentence because the particular character speaks that way and gets on everyone's nerves as a result but that's the point.

The search for authenticity.
Your characters have a certain way of talking. You're determined to get that contemporary street lingo right (whatever your "street" may be). And in doing so, not even you know what the characters are saying when you're done.

Things like that kill dialogue. Fast. There are more ways to suck the life out of your dialogue but the point is that failing to get dialogue right--snappy, interesting, page-turning--will bore, if not, lose the reader.

How do you write good dialogue? Do you get it down in the first draft or do you get the big picture down and fix it during revision? What authors have you read that write particularly snappy dialogue?

Tomorrow: Attributions

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, May 29, 2007

I've Been Tagged

Untitled WIP
Word Count: 14,091 / 80,000
(17.6%)


Wrote a book review for Fresh Fiction and a blog post for Romancing The Blog (not sure of post date yet) over the weekend.

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I've been tagged. Again.

I like these posts because I learn about my reading and writing friends, and get to share some of me. However...

I think there should a limit to the Tag posts. Maybe one per 30 day period or better one per quarter. Maybe that's because I don't really "know" too many folks with blogs that I can tag. Don't want to keep tagging the same friends or they won't be friends for long. I'll have to work on expanding my network.

So this time, I'm posting but I'm not tagging. I know, Bad Blogger Girl. Bad!

Mini Rant Over. (Thanks CeeCee! Keep an eye on the strange woman following you...)

Here's mine:

Next 5 books on your to be read shelf:
I don't have a "shelf" so to speak except for the books I'm reading for review and any titles recently borrowed from the library. But I keep an Excel spreadsheet of books I'd like to read. It currently has 202 titles. I do get to them, although not as quickly as I would like. I knocked off 27 in the last year.

Irresistable You by Francis Ray (4th in the Grayson of New Mexico series and I've enjoyed them all)

Found by Karen Kingsbury (3rd in the Firstborn series but my first Kingsbury book)

Summer Shadows by Gayle Roper (2nd in the Seaside Seasons series; gritty but moving Christian fiction)

I've got two others for book reviews that I can't recall the titles of. That will get me caught up, and free me to read more stuff on my list.


Last 4 books you've read:

Hired By The Cowboy by Donna Alward (Donna's debut novel and a fun read)

Into The Night by Cindy Gerard (6th in the Bodyguard series but my first Gerard novel)

Here And Now by Michelle Monkou (sequel to Island Rendevous but I'm betting there's at least one, maybe two more about the Masterson family)

The Color of Trouble by Dyanne Davis (her debut novel and winner of the 2004 RSJ Emma Award)

Note: I do read standalone books too but I love series and it seems more and more authors are writing them. Publishers are doing what the movie industry does. If it does well, just make more of the same.

Last 3 books you've borrowed (library or friend):
This is easy because I use my library a lot. My budget forces me too. Especially with authors I haven't read before, I borrow before buying. Hopefully my budget will expand soon to allow me to increase my personal library.

Found by Karen Kingsbury -- Took this one out and moved it to the top of my TBR list despite having a few more books I need to get through for reviews. Can't walk into the library and come out with nothing. For me. Doesn't matter that purpose of trip was books for the boys. (They got their selections too.)

Irresistable You by Francis Ray -- Waited a while for this one and almost missed getting it because I'd missed the library's alert.

The Color of Trouble by Dyanne Davis -- Waited months for this one to become available. And it was worth the wait.

Last 2 non-fiction books you've read:

The Bible

And other than that, I'm embarrassed to say that I've only read two non-fiction books in the last 18 months:

Scene and Structure by Jack Bickham (Excellent!)

You Can Write A Romance by Rita Clay Estrada and Rita Gallagher


The 1 book you wish everyone would read:

Whatever version of the Bible resonates with them.

Beyond that, it would be impossible to choose the definitive fiction or non-fiction book because there are so many great books to choose from, and we each need to learn different lessons to continue our personal growth.

What are you reading currently? What did you read last? What's next?

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Friday, May 25, 2007

Pressing My Way

Untitled WIP
Word Count: 14,091 / 80,000
(17.6%)


In the church, we speak of "pressing my way". To press means, with solid determination, to push through whatever obstacle or hardship, big or small, is between me and my goal. It might be something as little as a run in the last pair of pantyhose right before leaving the house, and determining to stop on the way to church rather than stay home (Where I grew up bare-legged was not an option, although down here in FL, pantyhose are a rare sight.) Or, it could be as big not taking no for an answer when approaching one's boss about a raise and/or promotion.

It's the mindset of not letting anything or anyone, including oneself, become a deterrent to achieving an objective.

I'm learning that in writing, it is necessary sometimes to press one's way. A lot of writers talk about the need to develop the discipline of writing, meaning that one should write every day, even if only a few sentences. Not going to happen in my life, not anytime soon. But I have learned not to string too many non-writing days together or I risk losing my forward momentum.

But even when I'm writing, when I'm tapping out the words on the page, I have to fight internal demons that threaten my work in progress. Like the siren singing my song, things call to me. Sunshine, blue skies, and inviting water. (Don't have a wireless laptop yet.) Errands that I'd love to put off but really can afford to. Household chores. The book I'm currently reading. Things like that.

Then there are the writing challenges. Like yesterday. I was working on a scene and ran out of gas. Nothing dripped from the creative spigot. Not a drop. Got bored with the scene. But I forced myself to keep writing until I couldn't write another word. Then I quit, closed the document, and didn't give it another thought.

When I went back to my wip today, I still wasn't sure what I wanted to do with that scene. Rewrite it? Rip it out? Don't know. Not inspired to tackle that job just yet. So I wrote a paragraph of notes to myself about possible ways to fix it and moved on.

I consider this growth. Yeah, I might have two pages of dreck that will never see the light of day but at least I didn't allow it to stop me dead in my tracks, as I surely would have even a few short months ago. Instead, I envisioned another scene that I want in my story and started from that point. Kept the word count going up and the momentum going forward.

Getting to the end of this manuscript is going to require a press. Pressing my way through scenes that are not working exactly the way I want, dialogue that is not as snappy as it sounded in my head, transitions that go down like chunky peanut butter, passages chock full of back story that would put the Energizer Bunny to sleep, etc. I guess that's why it's called a first draft.

This time I'll make it. What do you do when faced with distractions or feeling like your work is less than inspired?

Enjoy your holiday weekend, everyone!

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Thursday, May 24, 2007

Bits and Pieces -- Feels like a Friday

Untitled WIP
Word Count: 12,571 / 80,000
(15.8%)


Don't mind me if I'm a bit at odds. Feels like a Friday to me. I know it's only Thursday but Friday signals the end of the week and today we've come to an end. The end of the school year. I've been set free! No more lunch money, no more homework, no more special projects, no more last minute requests for money in support of whatever brainstorm the teacher came up with the night before... It's over! At least until August. The End.

Forced myself to write today to make up for not writing anything yesterday. Not a word. Mama said there'd be days like this... Truthfully, there is NO way I will ever write everyday, at least not until my 2-year-old is in high school. Near impossible when working full-time and taking care of little ones, especially one who is potty training. So I do what I can do and I'm happy with that. At the same time, I occasionally have to kick self in rear so that stuff, and the rest of my life, doesn't become an excuse. Been there, done that. I'm committed this time. Remember?

Just joined an online critique group. This will be a new experience for me. Have to get up and running because I need to do something--post or give a critique--every week. I'm looking forward to the feedback. (Thanks for the recommendation, Chicki!)

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For anyone interested in learning more about doing revisions (and I don't mean copyedits, like grammar and spelling), check out Cynthia Reese's blog at eHarlequin.com. It's been a master class. Only recently discovered it myself but I've read all the posts. I learned there are things I can do differently, or at least keep in mind, while writing the first draft, and her tips will certainly be helpful when it's time to revise. (If anyone figures out any easy way to print the eHQN blog posts, let me know.)

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Have to comment on the season finales of a few favorite reality shows. American Idol. Melinda didn't win. Wasn't even in the final. She was robbed. 'Nuff said. It was clear after Tuesday night's performances that Jordin would win. Not sure she has staying power but she's so young, it's too early to say. Wish her well.

Dancing with the Stars. Apollo won. Beat out Joey of N'Sync fame. Had me rooting for Joey by the end, once Laila Ali was voted off, but Apollo was good too. I missed most of the episodes (I don't watch as much TV as it sounds but one doesn't have to. Very easy to catch up.) Congratulations to the Olympian.

That's it for today. Mulling over some thoughts about theme so that will likely be the next writing topic I blog about.

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, May 22, 2007

Beginning With Purpose

Untitled WIP
Word Count: 8,690 / 80,000
(10.9%)


The writing continues. Not as many words as I would have liked but I've passed the 10% mark. (This is fun!)

More on beginnings. I thought I was done but then I read a post on the Jenny Cruisie/Bob Mayer online writing workshop blog about beginnings which gave me more food for thought.

Yesterday, we talked about hooking the reader, drawing her in so that she is forced to keep turning pages until she gets to the end. This is certainly one purpose of a strong beginning.

What else can or should a writer aim to achieve within the story opening?

One point that I'd never considered is that "often the beginning of the book mirrors and/or foreshadows the climatic scene." Wow. This stopped me in my tracks.

This says to me the author either knows the end at the beginning and is clever enough to employ this technique or, this happens through the revision process, which certainly must be the case for all you "pantsers" out there.

Seems like a smart thing to do, because it makes me think deep hook. Throw something out for which the reader won't get satisfaction until the very end. Keep 'em reading. It also makes me think this has to be kind of subtle, so as not to give too much away and frustrate the reader.

I began reading HIRED BY THE COWBOY, a Harlequin Romance by Donna Alward, last night. (Donna was gracious enough to post the synopsis for her current release on one of the Harlequin boards. I ran out and bought the book so that I could compare the selling synopsis of a recent release to the actual book.)

In the second chapter, Ms. Alward seems to employ the "mirror image" technique when the hero reflects on what marriage means to him, this before he comes up with the bright idea to enter a marriage of convenience. I'd have thought nothing of this passage beyond the usual introspection had I not read Bob Mayer's post. But flipping to the last chapter, I see there's dialogue between the hero and heroine where the hero echoes, now that their marriage of convenience has morphed into a true marriage, all the same thoughts he expressed in the beginning. I suspect this makes for a satisfying ending.

Another point made in the Cruisie/Mayer blog was that the opening telegraphs a message about what's important to the reader. If the writer leads with the problem, it tells the reader the problem is key. If the writer leads with the main character, it tells the reader the character is key.

So beginnings can do a number of things:
1 -- Introduce the main characters, setting, and conflict
2 -- Hook the reader into the story through action, dialogue, pace, and voice
3 -- Mirror and/or foreshadow the climax
4 -- Let the reader know where the emphasis will be placed, on the problem or the character

I promise not to go back and touch the beginning. I'll keep my focus on completing the first draft. Promise! But gee, I'd better make some notes about things I might want to change when I start the revision process.

Any closing thoughts on beginnings?

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Monday, May 21, 2007

Hooking The Reader

Untitled WIP
Word Count: 7,382 / 80,000
(9.2%)


So I continue to write. The euphoria of and commitment to my new wip has carried over into another week.

I was so psyched this weekend that I scribbled over 1,500 words while sitting in the car with my sleeping toddler--parked in the shade 'cause it's HOT in FL--while the rest of the family was inside the library. Even better, after viewing Spiderman 3 (at least the half that the toddler sat through) and enjoying a birthday dinner for my oldest at The Olive Garden, I went home and immediately transcribed my scribbles on to my computer, and then wrote a bit more. (I did neglect to call my brother to wish him a Happy Birthday but I'll make it up to him.)

Woohoo! Nothing keeps the writing juices flowing more than writing!

'Course now I can't tell you exactly how many words I wrote since I forgot to copy it down to disk and carry it with me this morning. No Internet at home since we moved and our local cable provider has to "bore some holes under the drive" before they can get us up and surfin'. What a mess! So the number above is really an educated estimate, something slightly less than the actual word count when I last checked.

Anyway, my question for today has to do with hooking the reader. Discussions abound about back cover blurbs, cover art, etc. But I want to know your thoughts as to when the author needs to hook the reader by way of the words on the page, to plant that hook so deeply that the reader has no choice but to continue on to the end.

Is it the first line? I've heard this but many of the books that I've thoroughly enjoyed did not grab me with the first line. First paragraph? Must at least generate interest but I still may not be hooked. First scene? First chapter? First 50 pages? 100 pages?

As a reader, I think the first scene has to hook me. I want to meet at least one of the primary characters, understand a bit about the setting and the conflict, and get enough of a positive feel for the writing style that I want to read more. Of course, a writer could turn me off in the first line or first paragraph but I think I'd at least get to the end of the scene. In a few cases, I've read the first two to three chapters, or even as much as 100 pages, before giving up.

I think the timing also varies by genre. I expect category romance, romantic suspense, and mysteries/thrillers to unfold much faster than I do women's fiction or contemporary literary fiction. As such, I find myself getting antsy if a romance takes too long to build or frustrated if a women's fiction title reads too much like an elongated category.

How does this relate to my wip? Well, since I started with the premise that it is women's fiction, although I set up some of the premise in the first chapter, I think some aspects of the story can take a bit longer to unfold, like the subplots or theme. Not too long because, if for no other reason than the dreaded "partial", I think you've got to get the entire skeleton of the story--main characters, setting, internal and external conflicts, pacing--down in the first three chapters.

Thoughts?

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Thursday, May 17, 2007

At First Blush

Untitled WIP
Word Count: 3,541 / 80,000
(4.4%)


I'm in the early days of my new wip. Deep in the throes of the first blush, when I'm excited and eager and can't wait to get back to it. Sounds like a romance, right?

Well, it is, of a sorts. I love reading and I love writing. And although I've yet to finish a novel-length manuscript, the process, from where I sit, looks a lot like a new romance. In the beginning, everything is great. Words flow. The story and I are connecting. I'm excited about my steady progress, and I have great hopes for the outcome.

Then, I hit the middle. The rose-colored glasses come off and I start to see the warts in my manuscript. Plot holes big enough to swallow a Hummer. Characters not completely fleshed out have me boxed in with seemingly no way out. I start to dread my time at the keyboard. The words don't come as quickly. My phrasing doesn't seem as inspired. My passion begins to wane.

I find myself at a crossroads. Invest more of myself in this one, seeing it through to the end, or toss it aside and wait for new inspiration to begin again. Until now, I've tossed and waited.

But like a good relationship, or at least a long-term one, getting to the end of a manuscript takes a certain amount of commitment. There are days when I don't "feel it" but I have to engage anyway. There will be rough spots that I need to work through, sometimes taking the direct approach and forging straight ahead and sometimes backtracking to gain perspective and come at it in a fresh way. Eventually, as I've found to be the case in marriage anyway, the discomfort subsides and the good days outweigh the bad. I'll hit a rhythm that works for me and puts me in a place where I can again get enthusiastic about it. No longer naive, I consciously commit for the long haul. Because we've learned to trust each other. I won't fear when the manuscript takes me off in directions unplanned and the manuscript won't need to fear that I'll abandon it.

Haven't applied this to my writing yet but then, I never thought about writing in quite this way before. I've always known that it's hard work and I have to determine to stick with it but this is different. Deeper. More like a covenant with myself and the desire God has implanted in me to share my stories.

So, I'm moving forward. (Note the increase in word count since yesterday.) I've got a beginning, a high-level outline, and sense of what the end of the story will be. Things might get dicey along the way but I'll remind myself of my commitment, even speaking it out loud when necessary. In an affirming kind of way. Verbal self-sparring works in marriage on the toughest of days! My mother called this "talking to yourself". My compadres in faith call it "naming and claiming" or "speaking those things that are not as though they were".

Then, I'll finish the book.

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, May 15, 2007

Where To Begin?

A few housekeeping items, as they say.

1. I've got a word count meter, taken from Zokotou. This will tell me exactly where I am vs. my goal of 80,000 words. It will also tell you. If you don't see that counter moving, feel free to...uh...remind me. Notice I've already made some progress. The trick will be getting past 23,000 words, which is about how far I got during last year's NaNo, and most I've ever written for one story.

Zokutou word meter
2,163 / 80,000
(2.7%)

2. Everyone pointed out that I had a line in there about the heroine being single or estranged from her husband with something like "need to decide". That wasn't supposed to be there. When I write, as questions pop up, I write them and put them in italics, so it will be easy for me to spot them later. I'll have to remember to take these out.

3. Several folks counseled me against putting too much of my work on my blog. Don't worry! As I commented on the last blog, I plan to get paid. (I'm not quite as altruistic as some writers.) So I thought giving you a sense of my writing style and a bit of the story would put us all on the same page for discussion. Occasionally, I'll give snippets but I primarily plan to talk about challenges I face and update that counter.

Which brings me to today's topic.

Let's talk about beginnings. I posted what was to be the beginning of my new wip. But even before I posted, I felt as though maybe I wasn't starting in the right place. Beginnings are important. The author grabs the reader, or she doesn't.

From Uncle Orson's Writing Class, I found this:
If you mess up the opening, nothing you do later in the story will fix it. And because mistakes in the opening will reverberate through the rest of the story, when you finally do fix the opening you usually have to throw out and redo everything that you wrote after it. With rare exceptions, you simply have to get the opening right before you can go on.

But what is the "opening"? The first sentence? Having a good first sentence is nice, but it's not the opening. By definition, the first sentence is in the first paragraph, and the first paragraph is free. That is, the first paragraph of a story does not have to be in the same voice or mood or tone as the rest of the work. The first paragraph is important for setting the scene, for giving vital information that allows what follows to make sense. But the real opening is after that first paragraph -- when the story starts in earnest.


In my story, a woman takes custody of three orphaned children. (Their mom was her best friend.) She's already married but she and her husband are estranged.

As I considered what I'd written, I thought maybe I should back up a bit. Part of the reason they're estranged is that he doesn't want kids and she does. So why not start with him walking out? She's adamant about keeping a childhood promise to take in her best friend's children. He's adamant about not becoming a father, under any circumstances. And so he walks out.

Even as I type, I get more ideas about ways to improve the story. (Don't worry. I won't get bogged down in fixing the opening but I do want to have a sense that I'm on track.) In the first passage, which I posted, I fear there may be a bit too much back story. It explains why she's so adamant but maybe I need to hold on to that explanation for later in the story.

How does a writer know where to start the story? Begin at the beginning, you say. Jump right into the action. But there's action before and action after the selected starting point. When is too soon or too late?

Part of the reason I decided to change my opening is that I think a scene in which the heroine, Joelle, and her husband have final parting words before he ultimately leaves--her seeking a way to salvage their relationship, him digging in his heels--is dramatic. And drama makes for conflict, which makes for good storytelling. Or so I believe.

Writers, how do you know where to start? Have you ever written an opening because it flowed from the immediate spark and got you're juices going, only to change it later?

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

The Beginning

I know I said I'd post my beginning on Monday and it's Tuesday, but I'm here. Actually I got off to a pretty good start. I'd written what I thought was the opening scene even before writing the blog post. Then over the weekend, I thought, I'm not starting the story in the right place. I need to back up just a bit, in order to put more of the heroine's conflict on deck. So I wrote another opening scene. Likely, the two scenes will all be part of the first chapter. I'm going to post the "original" opening here.

Still don't have a working title, which is a little unusual for me, so maybe one will come through this process.

1,508 words, unedited.

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“Are you sure about this? Taking on three children is a huge responsibility.”

Joelle MacMillan could feel her mother’s steady gaze burning a hole into her back as she pulled the last of the clothing from her previously overstuffed closet. A few pieces fell from their hangars, which jangled in the now empty space. She placed the clothing on the queen-sized bed. Sighing, she folded each item and placed it atop the near full suitcase. No, she wasn’t sure whether she was ready to assume the guardianship of three minor children but she’d made a promise. And promises were meant to be kept. Just one of many lessons learned from her mother.

“Ma, I’m as ready as I’ll ever be. Who’d have thought that Brenda and Alex were going to die? Together. Before their time.”

Her voice quaked. Fresh tears brimmed her eyelids as she thought about losing her lifetime best friend. Joelle blinked and breathed in deeply, urging the unwanted tears to go away. The time for tears had past. Now she needed to focus all of her energy—and summon as many positive thoughts as she could—on taking care of Brenda and Alex’s three children: 13-year old Yvette, 9 year-old AJ, and her 4-year old namesake, Joi.

She folded the clothing slowly, savoring the feel of the expensive materials in each garment. Silk, linen, pure wool, only the softest of cottons. She loved buying and wearing clothing made of fine fabrics but she suspected she’d need more durable fabrics in the future, like cotton, polyester, and rayon for her new role as an adoptive mother. She wondered what other little aspects of her life were about to change.

If anything ever happens to you when we’re older and have kids, I’ll take care of your children. And you’ll take care of mine.

Always a bit bossy, Brenda had decided for the both of them. She could hear her friend’s heartfelt, childhood declaration as though she were standing next to Joelle, whispering into her ear. Joelle closed her eyes as she remembered that day, the day she and Brenda discovered there were some things that children shouldn’t know or experience.

The day had started out nice enough but clouds had rolled in and light drizzle had begun. She and Brenda been playing outside in the cul-de-sac. They were just about to hightail it to Brenda’s house, which was nearest, to get out of the rain when they heard a piercing scream. The type of scream that raised goosebumps on her arms. It had come from Shanice’s house. Concerned for their friend, they ran toward the sound but were stopped at the gate by Brenda’s next door neighbor, Mrs. Wattley. The look on Mrs. Wattley’s face, a mix of concern and dread, crushed any questions they might have thought to ask. They stood there, confused, wondering whether their friend was alright.

A few minutes later, wailing sirens announced the arrival of an ambulance, fire trucks, and finally, a police car. The emergency vehicles pulled up before their friend’s home. She and Brenda looked at each other, their eyes wide with fear. In silence, so in sync that they both knew they needed to get out of the way, they took a few steps backward. Far enough not to cause problems but not so far that they couldn’t fix their eyes upon the door. They stared at the unfolding scene, as various service workers bolted the vehicles, armed with all sorts of equipment, and entered the house. They remained rooted to that spot, just feet away from the door. The curtains were drawn so there was no way to tell what might be going on. But they had no intention of leaving until they found out. Mrs. Wattley stood nearby. Joelle averted her gaze for a moment, to notice the older woman shaking her head and a single tear rolling down her mottled cheeks. Her tongue felt like dry cardboard. She swallowed and returned her attention to her friend’s house.

After some time, the ambulance attendants exited the house with a stretcher. Completely covered. She’d seen enough action/adventure movies to know what that meant. As the men lifted the stretcher into the back of the ambulance, another vehicle—a plain, dark blue sedan—arrived.

Moments later, she and Brenda watched the car drive away with their friend and her younger brother slumped in the backseat of the car. They watched helplessly as Shanice and her brother got into the car and road away. Later, she asked her mother, who explained that Shanice’s mother, and sole parent, had been a drug addict. She had died that day of an overdose. Since neither Shanice nor Roger knew how to contact any other family members, the Department of Children and Families had been contacted. They’d sent out a social worker right away, who gathered Shanice and Roger up with a few of their clothes and toys, and carted them off to places unknown. That was the last they’d seen or heard of Shanice.

Later, as the adults gathered and whispered in the living room downstairs, Joelle and Brenda hid beneath the eyelet covers of her princess bed. Brenda was spending the night at her house. They had wanted to stay together, to ward off any other bad tidings. To keep each other safe. Beneath the warmth of the thick, cotton comforter, the only light coming from the moonlight streaming through the matching eyelet curtains, Brenda, as she often did, had decided for them both.

“If anything ever happens…”

“It will be alright, Ma. I don’t know how everything will work out but I know that it will. I get along great with Brenda’s kids. We’ve always had fun in the past. Moving will be a bit of a shock for them, because they’ll have to get used to new schools and make new friends but they will. They’re great kids. Just wait until you meet them.”

Joelle cringed as she heard her mother sigh. “I just think you’re taking on more than you realize. So you made a promise to your childhood friend…”

“One that we made legitimate by naming each other as guardians for our unborn children, should we ever have any, in our wills.”

“Yes, but even then, neither you nor Brenda really knew what you were promising. What about your career? And what if you meet someone and fall in love? Will he be willing to take on a ready made family?”

Either she’s single or she’s estranged from her husband. Which will it be?
Joelle placed the stack of neatly folded clothes into the large suitcase that lay atop her bed. She turned to face her mother.

“That’s a good point. I suspect I’ll be re-evaluating a lot of things over the months and years to come, including what I find attractive in a man. Because the kids will be part of the package.”

She closed and zipped the tapestry suitcase. Then she placed it on the floor, angling it so that she could easily access the pull-out handles to roll it out of the room. She watched as Charlotte MacMillan pulled out her desk chair and sat down. Was her mother gearing up for a major battle or was she ready to concede? Unsure, she hoped it was the latter. The cavity in the pit of her stomach seemed to grow hour by hour, if not minute by minute. She had bags under her eyes and she could swear that she had double the normal amount of hair in her brush when she’d finished getting dressed that morning. A little support would be nice, certainly nicer than her mother’s determination to make Swiss cheese of her well-intentioned plans.

Stepping towards her mother, Joelle placed her arms around her mother’s shoulders. “I’m doing the right thing, Ma. I know I am. Brenda would have done the same for me.” If she were alive instead of Joelle. And if Joelle had been the one to marry and have children rather than pursue college and a career. If.

“Maybe she would have. And maybe she’d consider that gravity of a promise made before you’d even hit puberty. Before you had any responsibilities or knew what life could be like.”

Joelle took her mother’s hand and squeezed it.

“Brenda would definitely have kept her promise, just like I plan to keep mine. I can take care of thee children. You raised five of us, so it’s definitely something within the realm of possibility.”

Squeezing her mother’s hand again, Joelle continued, “Trust me, Ma. I can do this. Everything will work out just fine.”

Maybe if she said it loud enough, often enough, she’d start believing it herself. She needed to. In a hurry.

Her mother squeezed back. “I’ll be praying for you.” Joelle stiffened but quickly relaxed. Her mother had been a member of the same prayer group for years, and she herself had witnessed answers to many of their prayers.

Perhaps one day she’d start praying for herself again.

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Tell me what you think. Be kind but be honest.

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Friday, May 11, 2007

Mid-May Goal Check-in/ Time To Get Off My Duff

I had a great post drafted, complete with pithy quotes from other writers, but it seems that Blogger has eaten it. So since I've haven't looked at my goal progress since the end of February, now's a good time for a quick update.

Progress? Nothing much!

Actually, I want to focus on my first and biggest goal: complete and submit a novel manuscript.

Did I really commit to do that? Can't blame it on frostbite because it was probably about 70 degrees down here in FL at the time. Let's see...come up with some other excuse...quick, quick... Bzzzrt! Time's up!

You see, I have done almost no writing this year. Well, that's not exactly true. I've been blogging, here and on other folks' blogs. I even signed on as a periodic contributor to Romancing The Blog. I've been doing tons of reading and writing book reviews for two online sites, SORMAG and Fresh Fiction. I write what seems like a million email every day, between business and personal messages. I wrote and submitted one short story to a national magazine. (Rejected, albeit with an encouraging comment.) I took an online writing course. I've even been keeping a log of possible story ideas, which I'm pleased is now up to nearly 40 different stories, so I don't think I'll have to worry about being a one-act wonder. But actual writing that might move me closer to my goal?

Nada.

I needed a break at the end of 2006. I really did. Too much going on personally. Okay. I'm entitled. But that was nearly six months ago, and if I even try to part my lips (or use my fingers) to utter any of that stuff as a justification, I'll need really long wading boots, even on my short legs, to keep from drowning in the muck. 'Nuff said.

The rest of the goals mean nothing if I don't move this goal forward. They really don't. So what am I going to do about it?

I. AM. GOING. TO. WRITE!

I've begun a new wip. (Ssssh! Please don't ask about the others.) I'm trying to incorporate many of the great things that I've learned in the last year to help me write faster yet better, and most importantly, to THE END. So I whipped out the first scene, the part that got my juices going. Then, so I wouldn't get bogged down in not knowing where to go or how to get there, I began putting together brief character summaries and listing possible character growth opportunities. Next, I wrote a synopsis of the beginning and the end, with a list of ten things that I want to happen in between.

I call this making progress. Now I just have to do it. The writing. With some degree of consistency. That's where you come in.

I'm going to post occasional scenes here for feedback, both encouraging and constructive. (Don't worry. I can take it. I really can.) I invite my reading and writing friends to comment. I'll continue to post other stuff too, like great writing tips or interesting topics of discussion related to reading and writing but there will be a lot more focus on my writing. Eventually I plan to update and organize this blog a bit better but not now. Don't want to lose focus.

I'm also going to try keeping a writing log and announcing my latest word count with each blog post.

If you think I'm slacking, i.e. you haven't heard much from me about my writing in a reasonable period or that word count is not moving much, feel free to nudge/jar/remind/challenge me. I'm going a bit out on a limb because most authors say their first-ever manuscript should never see the light of day. But I'm not one for trial exercises. If I'm going to do this, I want to do it and give it evrything I have. When I'm done, I will polish it and submit it. Somewhere. If for no other reason than to say, I did it! Then armed with the knowledge that I can, I'll start again.

So what do you say? Are you game?

The story is contemporary inspirational women's fiction. I'm still working on that first scene. Look for a post on Monday.

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Wednesday, May 09, 2007

Eight Random Things

I was tagged by Kaye Dacus. Here are the rules:

1. Each player starts with 8 random facts/habits about themselves
2. People who are tagged write a blog post about their own 8 random things and post these rules
3. At the end of your blog you need to tag 8 people and post their names
4. Don’t forget to leave them a comment and tell them they’re tagged, and to read your blog.

Here are my eight things:
1. My first ever eyeglasses, in 3rd grade, were green octagons with yellow & blue specks. Couldn't tell me they weren't cool!

2. My first writing contest was a Fire Prevention essay contest in 1st grade. I won!

3. I tell people I have a "small" family. But in actuality, I have five brothers and sisters (only grew up with two, hence my perception), have nine nieces and nephews (if you don't count the ones that have come and gone via marriage), and have twelve grand nieces and nephews. Then I married a man with six siblings and seventeen nieces and nephews, with likely more to come. Let's not count all the aunts, uncles, and cousins. My mother-in-law's family alone can put 100 people in a room. We've had a few Thanksgivings that way, with everyone pitching in to supply the meal.

4. I said I would never marry a minister. And I didn't. My pastor husband entered the ministry after we married. (Although one could argue the hand-writing was on the wall as he's a fourth generation pastor.)

5. I have a twelve-year old son who is six inches taller than me. And it doesn't look good (for me) with the two younger ones.

6. I'm half Panamanian but, to my complete and constant embarrassment, I don't speak Spanish beyond a few basics I can recall from five (yes, five) years of high school Spanish. Talk about time wasted!

7. When I was in grade school and junior high, my second favorite summer activity was going to the local pool, where I would jump into 15ft of what from the high diving board. Too chicken to learn how to actually learn to dive but didn't mind jumping feet first. My first favorite? Completing and exceeding the summer reading challenge at the local library.

8. I once moved every year for five straight years simply because I found an apartment I liked better than the one I was in (more space, less money, more space and less money...). Kept my brawny friends swimming in free pizza. All that stopped when I bought my first home. Although I've moved several times since then, I now hate moving.

Who can I tag?
LaShaunda
Chicki
Gwyneth
Kristy Dykes, who will find a beautiful way to link all this back to love and marriage
Patricia Sargent -- who blogs at periodically at PinkLadiesBlog but I'm not sure whether she has her own
A.Kai

I'll have to come up with another two people...

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.