Housekeeping:
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Still writing. Remembered my notebook today, and typed up my pages from over the weekend. Fell about 1800 words short of last week's goal but that's only one extra day of writing. Since I didn't write yesterday--my writing weeks begin on Mondays--I have to write everyday for the remainder of the week or really bump out my output. I'm tracking my word count: daily and weekly output vs. daily and weekly goals. It really helps to see my progress on paper and let's me know just how much I'm off track.
Speaking of which, I'm nearly 20,000 words in, about the point where my plot and my character's motivations start getting a bit fuzzy. I have somewhat of an outline, not as detailed as what I have for my other wip,
Because I Love You but it doesn't matter because I honestly haven't been following it. I've been feeling my way through the first part of the story, allowing it to twist and turn in whatever direction it may. I like most of what I have. Some of it is pure rubbish, and will be disposed of in like manner. I'll need to revisit my outline before I go much further. But I won't get bogged down, because my online class, the Plotting Bootcamp, will make sure of that.
The first Bootcamp lesson is on theme, loglines, and premise. We were asked to give our theme in just a few words, our logline in one sentence, and our premise in four sentences. Talk about making us work! (I guess that's why it's called bootcamp!)
I can't post mine here--remember this wip is a contest submission--but suffice it to say, that I really had to think hard about my story. What is the theme? (I know I said I would deal with this topic months ago but obviously I'm procrastinating because I don't have much to say/share yet.) I learned a logline is the one sentence that encapsulates the story. It's something like
Anxiety-filled woman falls for a con artist who challenges her to stretch beyond her phobias.
It's the line that you use to pitch your story to editors or agents. It's short and sweet, and leaves out unnecessary details, like character names and motivations, and gets to the heart of the matter.
Then there's the premise. I, like many of my fellow recruits, mistakenly wrote a mini-synopsis. About four paragraphs, which the drill instructors, Delilah and Elle, suggested I reduce to four sentences.
Four sentences? How could I possibly tell you--or an editor or agent--everything needed to buy my story in
four sentences?
Think back cover blurb. Something like
Susie Person, riddled with phobias her entire life, is tired of being afraid. So she signs up for a course entitled, "You Can Do It Too", which promises to help her face and conquer her fears. Only the course instructor dies before her class begins, and a handsome con man steps in to take his place. When Susie falls for Larry Swindler, will he come clean or take advantage of not only Susie's fears but her heart?
Not a perfect example but you get the idea. Could I do it? It was tough but I slashed like crazy and got something workable. I'll likely revise it as I learn more but it's a start.
With feedback from the group on just my logline and premise, I discovered I was going to need a bit stronger conflict between the hero and heroine. Good to know now so I can
readjust and incorporate it into the remainder of the manuscript. I can fix the beginning during revisions. Many of my fellow recruits also have wips that they're using this workshop to complete or enhance in some way.
An added bonus from a small class like this, maybe fifteen or twenty writers, is the opportunity to get to know more writing folks. Already I've met one woman from the area of NY where I grew up, and another from Cincinnati where I lived for ten years. Then there are the two inspirational writers, a genre I plan to pursue, although my current wip is not in this category.
Have you written a logline and/or premise before? Do you do it at the beginning or after you've completed your manuscript? Is it easy for you?
Peace & Blessings,
Patricia
Peace & Blessings,
Patricia
Stay focused. Be deliberate. Believe.