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Friday, February 29, 2008

Leap Day Tidbits

Happy Leap Day? Or is it Leap Year Day?

I always thought it would be cool to be born on February 29th but I'll settle for being born in Feburary.

It's been a while since I've posted my tidbits. Here are something interesting writerly things I've run across lately:

On Amazon Shorts, can you make money? Read this article by JA Konrath.

If you didn't already have this information, you can get a free 30-day trial subscription to the Chicago Manual of Style Online. A paid subscription is $30 per year for an individual, and they also have group rates.

Encore Romance is a new venture from the publishers of Whispers Publishing and Vintage Romance. Encore Romance is devoted to publishing reprints, in ebook form, of previously published, out-of-print romance novels. Authors who own the digital/electronic rights to romance fiction previously published by a mainstream publisher may send a letter of interest with information about the book to encoreromance@gmail.com. The editors will usually respond with a decision within 24 to 72 hours. Encore asks that the author be willing to include information about Encore Romance and the digital sale of your book on your website. All accepted authors will be asked to sign a two-year contract (renewable) for the digital/electronic rights for their book. Print rights shall remain with the author(s). As these books will be sold through outlets requiring distribution discounts, authors will receive 50% of the net price after discount.

Sony Reader is featuring 14 Harlequins available only on ebook and there's a chance to win a free Sony Reader.

Get the inside scoop from Harlequin Editors by listening to the new Meet the Editors podcasts. Each 20-minute podcast is a one-on-one interview with an acquiring editor for one of Harlequin's lines or imprints. The first podcast features features Melissa Jeglinski, senior editor for Silhouette Desire, and Diana Ventimiglia, associate editor for Silhouette Desire and Silhouette Romantic Suspense. A new podcast will be released every two weeks.

Have a great weekend, everyone!

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Wednesday, February 27, 2008

Debut Author: Missy Tippens

Today I'm featuring another debut author, Missy Tippens. I met Missy over on the Seeker's blog. Missy's first novel, Her Unlikely Family, was released this month by Steeple Hill Love Inspired, the contemporary inspirational romance line in the Harlequin family. Missy graciously agreed to answer a few questions and at the end, there's a book giveaway, but first let me tell you a little bit about Missy:

Born and raised in Kentucky, Missy met her very own hero when she headed off to grad school in Atlanta, Georgia. She promptly fell in love and hasn’t left Georgia since. She and her pastor husband have been married 20-plus years now, and have been blessed with three wonderful children along with an assortment of pets.

In L.B.C. (Life Before Children), Missy worked as a clinical microbiologist. Once she had her first baby, she retired to become a stay-at-home mom. She’s grateful to God that she was able to do that for 16 years and had the opportunity to pursue her writing during that time. Nowadays, in addition to her writing, she teaches as an adjunct instructor at a local technical college.

Now here's Missy...

Hi Missy and welcome to my blog. I like to ask questions in areas where I'm wrestling a bit or that other aspiring authors might be interested in, such as how long have you been writing?

I’ve been writing for 13 years! Once I started to pursue publication, it took me 7 years to sell my first short story to BelleBooks. Then another 3 years to make the first full-length sale to Steeple Hill.

How many novels did you write and submit before getting acceptance?

I’d completed 5 novels before selling to Steeple Hill. I’ve written another since then, and am in the middle of re-writing it (pretty much from scratch). So that’s about a book every 2 years or so! I’m not a speedy writer. However, I’m learning to move much faster. I’ve re-written this current wip in about 3 months.

That's encouraging because sometimes unpubbed writers think it's their first story or nothing. Where did you get the idea for Her Unlikely Family?

I remember thinking, "What if?" What if a stuffy blue-blooded bank owner gets together with a spunky waitress who is from a poor family? But then my brainstorming partner, Lindi Peterson, said, “What if you put a twist on it, and the waitress is actually from a wealthy family but doesn’t want to have anything to do with the wealth?” So I took her advice! Then I had to figure out how to throw the characters together.

Most of my ideas start as a "what if"? They sometimes come after reading a newspaper article or seeing a show on TV. Or I might watch a couple interacting at a restaurant and all of a sudden ideas start spinning through my head. (I’m sure that’s not fun for my husband!) :)

LOL! Only if you grab your handy notepad, start writing and forget that he's there!

Is Her Unlikely Family the story that won the GH? If so, did you think after winning that it might actually be published?

I’ve actually never won the GH. I was a finalist in 2006 with a different story titled Promises. I had hopes that I would sell that story, and I do think the finalist status helped it get attention. However, it still hasn’t sold. I hope to make some time to work on it again someday. But for now, I’m working on something new.

My mistake! I thought sure I'd read that somewhere but hey, finaling is almost as nice as winning!

Now let's talk about the book a bit. Her Unlikely Family has a great first line. "If there was one thing Josie Miller knew, it was the smell of a rich man." Was this the first line in the story as you submitted it? How important is it to you to get the first line just right?

Yes, that’s been the first line since I jotted notes in a notebook while brainstorming the idea. So I never changed it at all. And I do think it’s really important to have something catchy. I’ve heard editors mention how important it is to them. While I’ve judged contests, though, I’ve seen writers come up with very catchy opening lines—but they have nothing to do with the rest of the story! They used them for shock value. So I recommend writers don’t do that! It was a big turnoff for me, and I imagine it would do the same with an editor.

Since having your ms accepted, what has been most surprising about the publishing process?

Most surprising is how exciting it is to work with an editor. I love how the finished product comes out so much better. They have a ton of experience and know what appeals to readers.

What is your writing process like?
As I mentioned, I usually have a what if scenario which involves characters who are opposites in some way. Then I start thinking of their backstory. I’ve found two how-to workbooks that have helped me take it from there. One is Alicia Rasley’s The Story Within Guidebook. The other is Carolyn Green’s Prescription for Plotting workbook. These have really helped me stay on track, especially Alicia’s chapters on conflict! Once I’ve filled a legal pad with character info, sequences for how the characters will change and grow, scene ideas, etc., I start writing. I usually plow through the first 3 chapters, then struggle a little to do chapter 4. Then for some reason I hit a wall at chapter 5. At that point, I take some time to re-read what I’ve written and to revise it. Then I move on. Once I get to the last few chapters, the writing flies by. I love to get to that happy ending! No more torture of my poor characters.

After that, I begin a long revision process. I go through the book several times on paper. Then enter changes, send to my critique partner, and then make changes according to her feedback. Now that I finally have an editor, this is the point where she would get the book. And then the revisions start over again with her input.

Your blog tag says "inspirational and southern fiction". What does this mean to you? Will you write stories that are not inspirational?

Well, my first publishing venture was a short story with BelleBooks, which is southern fiction. The story wasn’t inspirational, but like all my writing, it was “clean” or “sweet.” I’ve left the southern fiction on my header even after publishing with Steeple Hill since I always write southern settings. At this point I imagine all my novel-length stories will be inspirational.

As a mother and pastor's wife, how do you find time to write? (This one's for me! )

LOL! Well, it’s not always easy, just like it’s not easy for anyone with a job or kids or a lot of commitments. I used to write mostly late at night (I’m talking till 2 or 3 a.m. then up again at 6:30 a.m.). But I just can’t do that anymore. I guess I’m getting too old. :) Now, though, all my children are in school, so I have a few hours of time once I get home from teaching to write until my daughter’s bus comes. I try to save online time for the chaotic afternoons when there are children home with homework and friends over to play. The Internet is a distraction and keeps me from writing. I really have to watch it.

I can't stay up like that anymore either but let's not say we're getting old, not yet. LOL! Thanks for stopping by, Missy! Best wishes with your debut release!

Thanks so much for having me visit, Patricia!

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Missy is an award-winning writer and was a finalist in Romance Writers of America’s Golden Heart Contest. After ten years of pursuing her dream, she made first sale of a full-length novel to Steeple Hill Love Inspired. She still pinches herself to see if it really happened!

Her debut novel, Her Unlikely Family, was released in February 2008. Opposites attract when an uptight banker encounters a free-spirited waitress during the search for his runaway teenaged niece. As they work together to heal the young girl’s damaged spirit, an unlikely family begins to form….

Missy would love to hear from readers through her website, www.missytippens.com, or by email: missytippens@aol.com.

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Comment on today's post for a chance to win a copy of Missy's debut release, Her Unlikely Family!

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, February 26, 2008

Aha! Set the Stage with Conflict

Camy Tang had a funny post yesterday about a woman's experience with one week at a gym. Thought I'd share.

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I want to continue talking about story beginnings.

No, I'm not stuck in a rut (or at least I won't be as long as I keep telling myself I'm not)!

Really, I had a revelation in the bathroom just this morning as I brushed my teeth. Had to do with my recent learnings and posts re: beginnings, particularly with setting the stage in a story vs. jumping into the action.

My big learning was that authors need to set the stage, meaning establish the character's ordinary world, before making said character dive off a cliff. (Unless the character is a professional cliff-diver, of course.) And do so without boring the readers to death, requiring the use of action and active language in that ordinary world.

Okay, got that in my head but I was still a bit unsettled. Felt like I was missing something. But I think I figured out this morning, in part because of my two most recent reads: Bettye Griffin's If These Walls Could Talk and Marilynn Griffith's Happily Even After.

The missing ingredient? Internal Conflict.

Both of the above named books do a really good job of having the main characters wrestle with internal conflict while moving the external portion of the story forward. Right from the beginning.

In the ordinary world, there is conflict. Particularly internal conflict. Few people are 100% happy with themselves and their relationship to the world around them.

I get that. I'm an introspective person, hardly the only one on Planet Earth. In my best times, when it feels like life is clicking on all cylinders, there's always still something I'm wrestling with. Being a better wife, daughter or sister. Losing weight. Drawing closer to Christ. Raising godly young men. Taking control of my health. And when life is topsy-turvy? Look out!

Of course I know characters need conflict, both internal and external. The problem was that I was viewing the need to establish their normal world as precedent to introducing conflict. One, then the other.

Not so.

"Setting the stage" includes not only showing how the character begins the story in their ordinary world but reveals some internal conflict within the character, that exists at the start, even before the external conflict rears its ugly head, and will be dealt with to some degree throughout the story.

Did you see Lorraine Hansberry's A Raisin in the Sun on ABC last night? I find that I'm starting to look at movies with a critical eye, just as I now read fiction. In Raisin I saw how internal conflict is there right from the start and deepens as the story progresses.

So setting the stage--establishing the ordinary world while introducing internal conflict--may be done concurrently in one scene, one paragraph, maybe one or two sentences. Doesn't require an entire chapter or more. Probably shouldn't be or reader interest might start to wane.

Sorry to ramble my way to conclusions but that's how my mind works sometimes.

And yes...I'm writing. Are you?

Peace & Blessings,
Patricia

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Wednesday, February 20, 2008

Puttering Away


No real change to speak of, especially since I estimated high the last time.

I'm still writing.

Sort of. It's more like...puttering.

This past weekend was such a rare, leisurely event in my home that I completely indulged. It was wonderful!

Middle One played in his first ever baseball game, first ever competitive athletic event. He was just happy to be on the field, which explains why he was playing in the dirt when the ball rolled past him. But he hits pretty well so and his team won, so he had a blast.

I typed up most of my previous handwritten work--character sketches, plotting notes, and the first attempt at chapter one--and I read a book or two. (Can't exactly remember the second so obviously it wasn't anything to get excited about.)

I wrote a second chapter one. (Haven't found my opening spark yet so I'm playing with it a bit.)

I was so relaxed I completely forgot that it was my turn to blog over at Romancing The Blog on Monday. I had this whole idea for a post on politics and romance, then it slipped my mind.

Hubby and I continued our incessant fascination with all things electoral. I've never seen a presidential election season this interesting on both sides of the political fence, and I've been paying attention since I was in junior high. (And that's the extent of my political comments...on this blog anyway.)

We watched some TV, cooked in a leisurely fashion, and took the boys to the park Monday afternoon.

I need more weekends like that!

Still need to work on my synopsis so I can begin writing in earnest but it's not coming to me just yet.

I'm trying to flow with the story rather than force it so I'll keep puttering. The more I putter, the more I learn. Like my heroine doesn't have an uncle who dies in the beginning. And her career isn't in real estate although the hero's is. Things like that.

Congratulations to Mel on her debut release of How Much You Want To Bet?, published by The Wild Rose Press. You can find out more here.

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Thursday, February 14, 2008

A Day of Love

Happy Valentine's Day!!!

Hope everyone is enjoying a wonderful Valentine's Day. Single, married, divorced...doesn't matter. Because I view Valentine's Day as a day of love. Surely there's someone in your life--a parent, spouse, sibling, friend, neighbor, or other--who you truly care about. Take today to let the person know how much.

When I lived in Cincinnati, I thought it odd that they celebrated Valentine's Day in February and then Sweetheart Day in October, which if you've ever spent time in the Midwest, is almost as big a day. Kind of like a second Valentine's Day.

Love works every day of the year.

My twelve yo wished me Happy Valentine's Day this morning as I dropped him off at school. I thought that was pretty cool since he's ususally not attuned to these things.

Two younger sons bounced off to preschool, arms loaded with homemade chocolate chip cookies and cupcakes, and individually addressed valentines--in the Power Rangers and Ninja Turtles motifs--for their classmates. (Let's just say it was a late night!)

Hubby left a voicemail message for me at my office to tell me that my Valentine's "stuff" was waiting for me at home. Typically, we don't do a whole lot for Valentine's Day. He suggested a date for this evening but then we remembered that one of the boys has baseball practice. Oh well!

In addition to letting them each know that I love them, I'll be paying attention to how others celebrate Valentine's Day. Because this stuff is great fodder for writing romance. Think about it...

Romances that start or end on Valentine's Day.

Romantic plans that go awry or turn into something bigger.

Little ways to express one's emotions, which may or may not get the desired response.

Big, grandiose ways, like the guy who proposed to his girlfriend of four years on the Tom Joyner radio show this morning, live at her doorstep, following the broadcast of a taped message about how much he loved and appreciated her. Sappy but sweet. What if she wasn't home? What if she'd said no? What if he had had a car accident on the way to her house?

What do you have planned for Valentine's Day, in real life or in your writing?

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Wednesday, February 13, 2008

Finding Books for Young Male Readers

Taking a break from talking about romance reading and writing.

Today's topic: Finding Good Books for Young Men

I have a 12-soon-to-be-13 yo. He's a slightly reluctant reader. I characterize him as "slightly reluctant" because he doesn't mind reading but he won't necessarily initiate the activity. He reads above grade level and is actually a pretty good writer too.

The school system doesn't require enough reading (should we say any?) to satisfy me. He's in seventh grade and has had no required at-home reading in three years. How is this child supposed to increase his vocabulary and prepare for college?

I promise this won't be a rant on the failings of the public school systems.

But why is it so hard to find good books for him?

Go into any bookstore and the majority of Young Adult books are aimed at girls. The majority of those that aren't are sci fi/fantasy. Enough with the wizards, witches, dragons, and other worlds, please!

Of course there are the classics but if a boy is "slightly reluctant", getting him to read Mark Twain, Charles Dickens, or Alexandre Dumas might not be the best first step.

He likes sports but he's not crazy about Walter Dean Myers' books (just okay) and he's already plowed through Paul Volponi's books (cool!) He's still young enough that I'm reluctant when it comes to subject matter, which brings me to another rant. Why do the majority of the contemporary YA books aimed at boys feel they need to delve into homosexuality or perceived "street life" in graphic terms? Unfortunately, many of the YA books are really aimed at late teens/early 20's.

I spent two hours yesterday putting together a recommended reading list for him. It was hard.

Anyone know of a good YA book for a preteen/early teen boy from NY who's not ready yet for excessively graphic but is ready for teenage subject matters, who is interested in sports and African-American history/life?

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, February 12, 2008

Character Identity and Essence

Michael Hauge is a successful screenwriter. I've heard his workshops are a must-attend deal. Lately he's been making the rounds at RWA chapter meetings so be on the look out and catch him if you can.

Over on the Wet Noodle Posse, Diane Gaston talks about Michael's use of Identify and Essence for character development. Go there to read the details.

The thing that stood out for me is asking the character the following fill-in-the-blank question: I would do whatever it takes to achieve my goal. Just don’t ask me to _____, because that is just not me.

Of course, what the character most doesn't want to do or face is exactly what needs to happen to spur character growth and make for an engaging story.

This is a great question when working on character sketches. Even though I wrote pages of backstory for my heroine already, I gave this question thought and wasn't sure of her response. That says to me that I need to dig deeper to know her better so that when I truly begin to write, I'm capturing her essence and getting to the crux of her story.

I've heard this peeling back of the layers referred to as peeling an onion. Well, onions make me cry--and nauseous if they're not very well cooked--so I'd rather think of it like peeling back the leaves on a head of lettuce. I like lettuce (and it's good for me)!

Is there a question you pose to your characters that helps you to get to the heart of who they are?

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Monday, February 11, 2008

Character Development: To Reveal or To Define?

Rachelle Gardner, an agent with Wordserve Literary Agency, posted recently about trends in Christian fiction publishing. Get more info and join the discussion here.

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As I said in a recent post, it's important to keep the story moving, not get bogged down in perfecting the beginning.

Last year, I would have charged ahead and kept writing, putting words on paper--any words--letting the story go wherever it took me.

Not this year.

Nuh-uh.

While I realize some writers don't need to chart their way, the biggest lesson for me is that I'm not one of them. Not a better or worse thing. Just a my thing. I need a map!

Thus, I learned the value of a synopsis and maybe even a rough scene outline.

So with one chapter roughly in hand, it was my plan to stop and work on my synopsis this past weekend. I suspect this will be an iterative process.

I tried but I couldn't do it.

The characters wouldn't let me do it.

Instead of writing the synopsis, I found myself writing backstory for my two main characters. They were telling me about themselves as I scribed, which helped me to better understand who they are and what their conflicts might be.

Bettye Griffin has written this type of backstory for each of the main characters in her ensemble novel, Once Upon A Project, which release in April, although I believe she wrote it after the story was finished. Read her character sketches for Patricia (one of the characters,not me) and Susan, and you'll get my drift.

I wrote for my heroine until all of sudden it was as if the pen went dry. No more to say.

Then I started on my hero. Didn't get as far because I ran out of time (my hairdresser finished my hair!) but I'll go back to it tomorrow.

On another blog, a writer recently asked what the difference was between assigning characteristics to her characters vs. uncovering them. These character sketches were definitely an uncovering.

Do your characters reveal themselves or do you tell them who and what they will be?

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Friday, February 08, 2008

John Grisham on Writing

Borders sends out regular email newsletters to their registered customers. (You're probably heard me rant more than once about their book shelving policies with regard to AA authors, which I absolutely hate, but they have one of the best children's and middle readers books sections around. So, yes, I'm signed up. I just buy my romance and AA books elsewhere.)

A recent newsletter included a link to hear a conversation Borders had with John Grisham about his books and writing.

John Grisham has published 20+ books. He's one of the biggest names in legal thrillers. After a foray into non-fiction and a fiction book about American football in Italy, he's returned to his preferred genre with his most recent book, The Appeal, which has just hit the stands.

If you're a Grisham fan--he hooked me with The Firm--then you'll likely find the entire conversation interesting.

If you're not but you're a writer, I think you too will enjoy the entire conversation, but you'll certainly find segments like "Master Class: John Grisham on Writing" interesting.

The thing that struck me most was when he said "The more time I spend on the outline, the easier writing the book is. If I cheat, I'll get in trouble with it, and that never fails." He's a very disciplined writer. I am not as yet but I'd wholeheartedly agree with this from my limited experience. I know some of y'all don't work this way. There's a part of me that admires that. :smile:

Why does Grisham outline?
  • To see the whole story
  • To identify subplots and characters that aren't needed before he begins to write
  • To know that his beginning is captivating and his ending unpredictable
  • To know that the story will sustain attention for the 200+ pages in the middle
Have a listen here.

Enjoy the weekend!

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Thursday, February 07, 2008

Harlequin's 2008 Romance Report

Harlequin has published it's 19th annual Romance Report. The 2008 Romance Report is all about secrets, lies, and confessions. Everything from whether and how to confess to favorite movie confessions, from when it's okay to lie to the celebrity tell-alls readers most want. There's even a piece on the seven deadly sins which incorporates actual confessions that readers posted when taking the survey. Check it out here.

While you're over there, Harlequin is offering a couple of special online reads this month. A really nice Love Inspired short by Linda Goodnight, which ties into the recent Tiny Blessings continuity series, and a sensuous paranormal by Caridad Pinero.

I'm not big on secrets and lies but the idea certainly provides great fodder for writing romance. Secret babies. Hidden pasts. Lies to protect one's beloved, or to protect one's heart. Confessions that lead to black moments or reconciliation following the black moments. Interesting stuff that works in any and every romance sub-genre.

One article I found interesting was "Hot or Not: The Things You Should Do and Things You Shouldn't Do". Things that are hot include iPods, his and her spa treatments, Facebook private messages, and Tivoing. Things that are not include going to the movies, candlelit dinners, email, and spa dates with your girlfriends. Very useful read for a contemporary romance writer. Yet one needs to be careful because some contemporary references will quickly date the story.

What kinds of story elements do you think might date a contemporary romance (or romance author)?

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, February 05, 2008

Another Beginning

Since I'm writing again, I need to track my progress.

I've seen this cartoon on a few writer sites, including Bettye Girffin's, and I find it amusing so periodically you'll see this pop up in a post:



I've been writing longhand so I don't have a word count as yet. That 2500 is an estimate. I'll put my usual tracker in the sidebar after I type up my pages this weekend.

Story Title? Unknown. It will come to me.

Talking about beginnings again.

Each year that I write, I hope to mature in the craft of writing, in part from experience and from listening and learning from other writers.

Once again, I find myself at the beginning of a new story. It's kind of like discovering that one is pregnant again. It is (or should be) a happy time. Not quite as fearful as the first go round but still so many unknowns, like the baby's sex, hair color, shape of eyes, who it will look like, what it grow up to be. Many, many possibilities.

What I've Learned about Beginnings in the last year:
  1. Beginnings are important. They hook, or lose, the reader. And the reader could be an editor, an agent, or a consumer. All are readers.

  2. The beginning needs to have a purpose. It's more than simply starting the story. In the opening passages, the writer sets the scene, introduces characters, sets up the conflict, and gives an indication of the story style.

  3. Some writers say, "Jump into the action!" Others say, "Set the scene." Took me a while but I figured out that one does not negate the other. The scene, or ordinary world, may be established in an active way, using character actions and dialogue as opposed to descriptive narrative. Still, it's important to ground the reader (unless it's a murder mystery and someone is shot in the first sentence)!

  4. Some other things the beginning can do are foreshadowing or mirroring the climax, in action, dialogue, or introspection, and telegraph a message as to what the theme of the story will be.
That's some heavy stuff, enough to stall any writer in chapter one.

But I also learned that first chapters are almost always rewritten, and often thrown out. It's more important to get the entire first draft done than to work on polishing and perfecting the dreaded beginning.

Hence, the beginning is a make or break for most books but a writer shouldn't angst over it, at least not before moving forward and completing the story.

Got it!

I wrote another couple of pages last night. Hoo-rah!

It's amazing to me how my writing has changed in the last year. I read more craft-oriented blogs now, fewer social ones. And I guess I'm soaking up some stuff--good stuff, I hope--because I find myself thinking, "That's too passive. Rewrite for more action." or "Too much backstory. Scratch that and drop it in later. Reader doesn't need to know right now." Things like that.

Most importantly, I'm writing!

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Monday, February 04, 2008

More Hugging Than Kicking, and Making Time vs. Finding It

First things, first. Happy Birthday to ME!!!!!

Now, you're probably wondering what this post could possibly be about, based on the title.

It's about last week's lament that I didn't get much writing done in January.

You folks just can't give a sistah a good ole kick in the butt when needed, can you? Vicki tried but there was a lot more hugging going on than kicking.

You're all so sweet!

I appreciate everyone's words of encouragement though. I really do.

But I've got this thing figured out.

The problem hit me when I was driving to work on Friday.

Nail hit square on the head. I was driving.

You see, last year I carpooled. And I was always waiting. Waiting to be picked up at Dunkin' Donuts in the morning by my ride or waiting in Border's in the evening to be picked up by my husband and kids. (I resisted the donuts and the book-buying sprees.) Made for a lot of down time which I used to read and...write.

But I started driving both ways in early December. No more waiting, hence no more...writing.

Sure, I did some writing at home in the evenings (very little) and occasionally on weekends (mostly not). Mostly because I like in a testoserone-filled household, and it's hard to find a spare minute of peace and quiet. I rarely even get those in the bathroom! And we won't talk about the writing I did at work, which I stopped doing for all the obvious reasons.

That means my writing time has diminished to nearly non-existant. No wonder I'm not getting anything done!

Solution: Cut back even more on my reading time.

I'm supposed to be reading only half of last year's 150+ books this year. (Don't go by January in which I read a record number of books, even with less late night reading!) Looks like I may need to reduce that even further to maybe only 3-4 books per month.

Aaaarghh! I can't imagine it!

Reading is how I release the tensions of the day, how I drown my frustrations, how I kill my boredom (like when sitting in a doctor's waiting room), and how I ease into sleep at night.

But I also can't imagine not writing.

Writing is a little different though. More brain activity required. Not a tranquilizer. More like a stimulant. So I have to choose wisely about when to write vs. read.

Nevertheless, to help me (and to meet my goal of investing in my writing every month), I finally bought the USB cord for my Alphasmart so I'll be able to transfer what I write to the PC. Which means I can start using the Alphasmart (thanks again, Maria and Lani!)

Glad I figured that out. I feel so much better now.

Time to write.

Mon AM Update: Got a memory error on Alphasmart so I'm waiting on an email response from their Support team. Not deterred though. Back to tried and true methods. Picked up a notebook and a pen, and wrote seven pages last night. YAAAAYYYY!

Have life changes altered your ability to meet your writing goals?

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Friday, February 01, 2008

Featured Book: Sisters, Ink. by Rebeca Seitz

Patricia here: I'm currently reading this month's FIRST featured book. Usually we excerpt an entire chapter but the chapters in this book tend to be a bit long. So I'm giving you half a chapter. Trust me, you'll still get a feel for the quirkiness of this story and begin to connect with the main character, Tandy. I'm pretty sure you'll want to read more, so I'm putting the second half of the chapter up in a second post for those who wish to read the entire thing. Use the link at the end of the excerpt.

Enjoy!




It is February FIRST, time for the FIRST Day Blog Tour! (Join our alliance! Click the button!) The FIRST day of every month we will feature an author and his/her latest book's FIRST chapter!



This month's feature is:


Rebeca Seitz


and her book:



SISTERS, INK


B&H Books (February 1, 2008)



ABOUT THE AUTHOR:

Rebeca Seitz is Founder and President of Glass Road Public Relations. An author for several years, PRINTS CHARMING being her first novel.

Rebeca cut her publicity teeth as the first dedicated publicist for the fiction division of Thomas Nelson Publishers. In 2005, Rebeca resigned from WestBow and opened the doors of GRPR, the only publicity firm of its kind in the country dedicated solely to representing novelists writing from a Christian worldview.


Rebeca makes her home in Kentucky with her husband, Charles, and their son, Anderson.


AND NOW...THE FIRST CHAPTER:

Tandy’s purple stiletto heel tapped in perfect rhythm to the pulse that threatened to leap out of her neck. She stared at the phone, willing it to ring and someone on the other end to declare this a joke. Her boss did not just call her into his office. Now.

The smooth tones from her CD player of Ole Blue Eyes crooning I Did it My Way mocked rather than soothed. She had to calm down, but Meg’s idea of music soothing the savage soul was not working. Fingers shaking, Tandy snatched up the receiver and dialed her sister. Calm, stoic Meg always knew what to do in a crisis. From falling off the swing set to supplying Oreos and caffeine the night before Tandy’s bar exam, Meg was a pro at handling crises and keeping her three sisters’ lives humming.

A busy signal sounded, and Tandy slammed the phone back down. Of course Meg would be on the phone right now. Why on earth couldn’t that woman understand the helpfulness of call-waiting? Tandy could hear Meg’s soft, persuasive response now: Why would I stop talking to one person before our conversation ended, T? It’s rude and I just won’t have it in my house.

Grabbing the receiver again, Tandy punched in Kendra’s numbers, jumping when yet another hawk flew into her window. Why did Orlando have to have a courthouse with the perfect nooks and crannies to build a nest? Ever since the completion of this new structure, hawks circled attorneys in the Bellsouth building across the on a daily basis.

Kendra’s melodic voice floated over the line, its harmonious tones the same as in childhood: "You have reached the voicemail of Kendra Sinclair…"

Tandy slammed the receiver down again and glared at the circling hawks. Of course Mr. Beasley was angry. He had every right to be, really. That fat deposit in her checking account every other week meant the continuation of her dedication to keeping their clients out of jail. Certainly it meant she wouldn’t hand the prosecution the very evidence they needed to obtain a conviction. She fiddled with the purple and black silk scarf tied around her neck.

Would Joy be any help at all in this situation? Joy might be the baby sister, but her quiet strength could come in handy right now. Except that Joy loved to talk and Christopher Beasley was waiting. The thought of him in his office high above the hawks, tapping his long fingers on the glass top of a heavy mahogany desk, didn’t allow for long phone conversations.

Tandy’s office phone rang and she jumped. "Tandy Sinclair."

"Tandy, it’s Anna." Tandy smiled, thinking of the gentle lady seated a few floors above her. "Mr. Beasley’s on his third cup of coffee."

Her smile vanished. "Oh, no, Anna. Couldn’t you have dawdled a bit? You know how he gets with caffeine overload."

"And you know how he gets when I dawdle. You’ve got maybe three minutes before he asks me to get cup number four."

"I’m on my way." Tandy pushed back from her desk and stood up. "Thanks, Anna."

"No problem, sweetie."

Tandy dropped the phone in its cradle, her gaze darting around the room for something, anything that would prevent the next ten minutes.

If that idiot Harry Simons had been one iota less smarmy, this predicament could have been avoided. His outright ogling of her figure had been bad enough, but certainly not the first time Tandy had been forced to ignore a man’s unwanted attentions. They all seemed to believe her red, wavy hair was a sign she’d fulfill their wildest dreams. Heck, Mr. Beasley had probably even made that assumption at some point, as evidenced by his swift promotions landing her in a cushy corner office of Meyers, Briggs, and Stratton.

Tandy swigged caffeine and paced the office. It wasn’t even Harry’s condescension. His superiority, rooted in maleness, made no effort to hide the belief that a brain resting between the pierced ears of a thirty-year-old female graduate of Yale School of Law somehow negated its existence. That idiocy didn’t even raise her blood pressure. She fingered her pearl earrings and grimaced as a hawk glided to rest on the ledge outside.

No, she would have been fine, and Christopher Beasley would not at this very moment be preparing to fire her, except for one innocent little lunch with small-minded Harry. Why, oh why, had she agreed to go to lunch with the lizard? (Honestly, his head rivaled the shape of geckos that ran in and out of every flower bed in Central Florida.) Come to think of it, his eyes were shifty like a gecko, too. Was the single life getting to her so much that she’d date a lizard? She stopped and tapped the window ledge. Meg and Kendra were on her case to date more. But who had time to meet people after spending sixty-five hours a week at the office? She sighed. The sisters just didn’t understand life in the city.

"You guys have got it easy," she said to the hawks. "Circle, eat, rest, repeat. With the occasional head bang into a window to keep us lawyers on our toes." She shook her head.

Well, it didn’t matter now. Mr. Beasley awaited her presence and it would only get worse the longer she stood here. Her heels sank into the plush pearl-colored carpet as she crossed the office, ignoring the latest sacrifice to her black thumb—a nearly dead African violet. She opened her office door and cast one last glance at what, in about ten minutes, probably would not be her office. Oh well. Maybe she could take the plant to Anna.

She picked up the violet. At least the charade of defending a slimeball, who made fun of an old homeless man to make himself seem big, would come to an end. And the day was still young; she could hit the beach before the lunch rush hit I-4.

Shoulders thrown back, chin up, Tandy made her way down the hallway and entered an elevator lined in the obligatory mahogany, brass, and mirrors, testimony to Christopher’s desire to never rock a boat even in the decoration of his law firm’s offices. She eyed her reflection and saw steel in the brown eyes staring back. Cutting Harry off at the knees in public wasn’t the best financial move to make. How would she buy food for Cooper? Pay his vet bills? Keeping an old basset hound with arthritic knees and hips in comfort was a pricey endeavor. Still, it had been worth it to see the shock on Harry’s face when she announced in her loud voice the impending completion of his career. From a 9x9 prison cell, that cardboard box would look like heaven.

She checked her chignon, tucking in a stray curl and smoothing the rest down. Picturing Harry’s smug, pudgy face behind bars did way more to calm her pulse rate than Sinatra’s croon. The elevator dinged, announcing her arrival to Christopher Beasley’s penthouse lair.

Tandy took a deep breath, tightened her grip on the sagging violet, sent up a prayer of thanks that she’d picked the Ann Taylor suit today—must look sharp when being fired--and stepped across the threshold.

"He’s waiting for you." Sympathy shimmered in Anna’s blue eyes. The Orlando sun shining through the window made Anna’s hair glow like a fresh pearl.

Tandy set the violet down on Anna’s desk. "Thanks, Anna. It’s been good knowing you. I wonder if you might coax this little guy back to life?"

Anna raised her eyebrows. "Tandy, how many times do I have to tell you? You’re a danger to plants." She smiled and wagged her finger. "You taking them in isn’t an act of kindness. You leave the greenery to us old chicks."

Tandy laughed. "Yes ma’am." She took another breath. "I guess I should go in now."

Anna sobered. "Guess so."

"Still on cup number three?"

"I just took in cup four. I doubt he’s taken a sip yet, though. He’s slowing down."

"Thanks for everything, Anna."

"You’re welcome, honey. Take care of yourself. And you call me if you need anything, hear?"

Tandy nodded, only now realizing that losing her job also meant losing Anna’s kind wisdom. She blinked hard. Crying at work would not do. She stepped to Christopher’s door and knocked.

"Come." His deep voice bellowed through the door and Tandy’s pulse kicked up again. This was it. For the first time ever, Tandy Sinclair was about to be fired from a job. When she’d moved to Orlando to take this job and declare war on the city that took her childhood, Tandy never would have guessed she’d become an actual beach bum.

"Tandy, sit down, sit down." Christopher stood, gesturing to a chair and patting the telltale stripes of his Ben Silver tie. "Seems we have a little situation on our hands." The hawks circled one story below his window, the tops of their feathered backs lit by the sun.

Tandy sat down and nodded.

Christopher’s padded leather chair creaked with his weight. He settled back, propped his elbows on the arms, and templed his fingers. "Harry tells me he’s headed for a prison cell."

She nodded again.

"He also tells me that would be your fault."

Another nod. This must be what bobbleheads felt like.

"And he says he’s ready to sue this firm for inadequate representation unless I do something about it."

She quirked an eyebrow. Score one for Harry.

"I’ve assured Harry that there must be some misunderstanding since you’re one of the most capable attorneys this firm has seen in quite some time. So, please, Tandy, explain to me how one of our biggest clients, someone for whom you serve as lead counsel, suddenly finds himself facing jail."

Tandy tilted her head. He was giving her an out, bless him. Leave it to Christopher Beasley, King of Calm and Proper Appearances, to smooth the choppy waters and restore her professional boat to proper order. An image of Harry’s sneer popped into her mind, though, and the thought of backtracking fled like money from her wallet during a trunk sale.

She smiled and adopted her lawyer voice. "Well, Mr. Beasley, I appreciate your belief in my professional abilities, but it seems Mr. Simons has some rather extreme positions regarding personal values that led me to determine he is, in fact, guilty of the crime for which he has been accused. When I asked him directly, he admitted as much to me."

It was Christopher’s turn to raise a brow. "He told you he embezzled funds from Hope House?"

Tandy nodded. "Yes, sir. I advised him I could not put him on the stand, since I would be suborning perjury, but he refused to listen. It was either let him lie to the court or remove myself from his case. I chose the latter."

Christopher swiveled his chair and stared out at the courthouse. What she wouldn’t give for a hawk to barrel into the glass. Anything to break the tension. Losing this job wouldn’t be the end of the world…just of her bank account, for the time being. She really didn’t want to lose the paycheck, but Harry gave her no choice.

The man wouldn’t listen to reason if someone etched it in a brick and threw it at his head.

She thought about their lunch again, seeing the hump-backed old man picking through a dumpster across the street. His coat had been threadbare, but Tandy knew too well the value of a coat, threadbare or not, on the streets. The priceless nature of every layer between skin and street. How the three bites of cheeseburger he found wrapped in its foil was enough to fill his belly for an entire day.

Harry’s voice had faded into the background of restaurant chatter as Tandy’s mind flew back to the seven years she spent living in a box with her mother. Before she met Marian and Jack Sinclair. Hearing the trains rumble past where they camped. Begging people for money, searching for a dry place when it rained, for a piece of food that hadn’t already been discovered by bugs. Watching her mom bob and weave as she walked, that scary light in her eyes that was both mesmerizing and terrifying because it meant mom wouldn’t make sense.

Tandy knew now her childhood had been stolen the first day her mother lit a match beneath the bowl of a pipe.

Read the rest of this excerpt here.

To learn more about Rebeca and the Sisters Ink series, go to the Sisters Ink website: http://www.sistersink.net/ or Glass Road Public Relations

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Featured Book: Sisters, Ink. by Rebeca Seitz Part II

This is a continuation of the FIRST excerpt for Rebeca Seitz's Sisters, Ink. Read the first part of this chapter here.

-----------------------------------

"Stupid junkie. Probably lost his job because of some drug habit." Harry’s voice joined a thousand other voices that still kept her awake on too many nights. "Bet he chooses to live like that. Easier than getting a job and working for his money like the rest of us."

Tandy looked at Harry sitting there in his three-thousand-dollar pin-striped suit, black crocodile shoes, and platinum cuff links with the Brooks Brothers insignia. Thought about reminding him his money came from his father’s hard work and planning, but decided against it. Harry was, after all, a huge client.

"Oh, probably not, Harry. You’d be amazed what some of the people living on the streets have been through." She sipped her water and willed her blood not to boil at the stupidity of the man before her.

He sneered and pointed a stubby finger at her. "Don’t be naïve, Tandy. That man could get a job flipping burgers at McDonald’s just as easy as sit out there with a cup in his hand, begging me to part with my cold hard cash that I worked very hard to get."

Silence was about as possible as finding a pair of Ferragamo’s in a size ten. On sale. Never gonna happen.

"Harry, how would he get a job? I doubt he owns any clothing other than what’s on his back. What would he wear to a job interview? Where would he get enough sleep in one sitting to be awake for an entire shift? What address would he even put on his job application?"

"Why, Tandy, I didn’t know you cared so much about our fair city’s homeless degenerates." His voice, so patronizing and smooth, grated. It fought with the pockmarks on his face to portray a polished image. "I’d think, with such convictions, you would have a hard time taking my case."

"Why is that, Harry? You didn’t embezzle from Hope House. Which means you didn’t take money from the mouths of homeless people. Which means my awareness of the plight of the homeless works in your favor." She took a sip of her water and tried to relax.

He wagged his finger at her. "Tsk, tsk, tsk, Tandy. There goes your naiveté again."

It took her a second to catch on. "Excuse me?"

He grinned and, for the first time, Tandy knew what jowls meant. "I think we both know what I’m saying."

"I certainly hope not. Because if you’re confessing to taking money from a homeless shelter, I can’t put you on the stand. I’d be suborning perjury."

Christopher cleared his throat, snapping Tandy back into the present. He swiveled around to face her. "I’m in a predicament, Tandy. Harry Simons brings a lot of money to this firm, been with us for years. That must count for something. Yet I find myself struggling with the thought of firing you since I understand the ethical dilemma you faced."

A tiny smidgen of hope blossomed in her heart.

Christopher placed his palms down on his glass-topped desk, an act of finality. "And yet, I see no course of action but to terminate your employment with Meyers, Briggs, and Stratton. Anything less would cause serious repercussions in our relationship with Harry Simons."

She fought to breathe normally. Blinked to hold back tears. Her savings account was basically nonexistent, which meant she and Cooper better start looking for a big refrigerator box to call home. Or maybe finding Cooper another family to live with would be a better idea. One of the sisters could take him. Meg, or maybe Joy. Kendra would be a last resort. She was as good with pets as Tandy was with plants. Well, except for Kitty, but cats were self-sufficient.

A hawk slammed into the window, making Christopher jump and spill the coffee sitting on his desk. "Dadgum it! Anna!"

Anna came rushing in, saw the mess, and snagged a roll of paper towels from the cabinet by the door without a word.

"You’ve got to call somebody about these hawks, Anna. They’re ruining my concentration!"

"Yes, Mr. Beasley. I’ll make the call today." Anna shot Tandy a sideways glance. Tandy grinned. Seeing the unflappable Christopher Beasley in a snit was worth getting fired--almost. Anna sopped up the mess and left the room.

"Now, where were we?" He pushed paper around the desk, checking to ensure all the coffee was gone.

Tandy cleared her throat. "I think you were firing me."

Christopher stopped arranging paper and looked up at her. "Right, right. Well, I don’t think we have to be that drastic. How about a leave of absence?"

Thank heaven for hawks.

"A leave of absence, sir?" Not to look a gift horse in the mouth, but, hey, it had to be asked.

"Yes. I think that will mollify our good friend Harry." Christopher nodded and patted the desktop, warming to his idea. "I’ll let him know you’ve taken some time to think through your behavior and will come back to the firm when you’ve gotten some perspective. Say, two months?"

Two months? She calculated the amount in her checking account and began deducting bills. With no extracurricular spending at all, it might work. Two months to find something else or learn how to eat crow. Okay, maybe this was a good thing. There was no immediate need to take another boring job in a legal firm. Two months was a ton of time. Figuring out her professional passion should be a snap. She could almost see Meg’s eyes roll at that thought.

"Thank you for that, sir."

Christopher smiled. "It’s the least we can do. You’ve been a good employee. I just wish this mess hadn’t occurred."

Poor Christopher. Conflict between an employee and a major client. He must have been up all night figuring out ways to smooth ruffled feathers.

She shrugged. "These things happen for a reason, I think." She stood up and held out her hand. Christopher took it with his own limp one and made a motion that might optimistically be called a handshake.

"Good luck, Tandy. We’ll see you back here in two months."

"Thank you." She turned on one Ferragamo heel and walked out of Christopher Beasley’s office. Eight weeks of nothingness spread out before her like a gift. There had to be a way to make money off of this.

She tapped her chin and watched the lights over the elevator. Maybe some tourist would want her apartment for a couple of weeks. Tourists would pay just about anything for somewhere to stay during season. A couple thousand bucks, easy.

But if someone were to stay in her apartment, where could she go? The whisper of her heart tickled Tandy’s brain. Stars Hill, Tennessee’s rolling countryside, Daddy’s smile, Momma’s painted roses, the sisters’ scrapbooks…

The ding of the elevator dispelled her mind’s image, but not the idea. Stars Hill. Well, it had been a while since she’d been back. Three years, if memory served. And, with Daddy and the sisters around, there wouldn’t be any need to spend money on restaurants. Though what she’d save might be spent on scrapbook stuff. It was one thing to scrap alone and quite another to sit around Momma’s old scrapping table with the girls.

Tandy exited the elevator and smiled. If she left right now, she’d be home in Stars Hill by morning.

She walked into her office, snagged her briefcase, and whipped out a tiny cell phone on the way back to the elevator.

"Hello?"

"Meg?"

"Hey, T, what’s up in the big city?"

Tandy laughed. "Well, not me. I’ve got eight weeks of a sudden vacation."

"What? What happened?"

"I’ll tell you all about it when I get there."

Meg’s squeal pierced Tandy’s ears and she jerked the phone away from her head. "You’re coming home? To Stars Hill? Yes!! When will you be here? Wait, what happened? Did you get fired? Did something happen at work?" Tandy could hear Meg’s three kids squealing now in the background. They must have caught on to their mom’s excitement.

"Seriously, I’ll tell you when I get there. Call Kendra and Joy. Breakfast at Joy’s, 9 a.m."

"You’ve got it, sister. James, get down off that table!" Tandy could just picture Meg’s eldest. He must have grown a foot by now. "I’m telling you that child will climb on anything," Meg said.

"Go keep your kids from tearing down the house. I’ve got to get home, get all my scrapping stuff packed, call the rental company to let some crazy tourist in my place for a couple of weeks, and get on the highway."

"On the road again…" Meg’s voice blared through the phone.

"Sheesh, Sis, are you ever going to stop with the songs?"

"Not as long as there’s a breath in me." Tandy heard scuffling. "James, put your sister down! I am not kidding with you, mister!"

Tandy chuckled. "See you in the morning."

"Okay. Be careful and buckle up."

"You’ve got it."

Tandy snapped the phone closed and walked through the parking deck toward her new little silver BMW 323. Man was this car going to stand out in sleepy little Stars Hill.

To learn more about Rebeca and the Sisters Ink series, go to the Sisters Ink website: http://www.sistersink.net/ or Glass Road Public Relations

Peace & Blessings,
Patricia
Stay focused. Work Hard. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.