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Monday, June 30, 2008

Tweaking My Writing Process

Last year, I wrote my first full manuscript. Tried as best as possible to turn off the internal editor and plowed full steam ahead. Jotted down notes along the way and left placeholders where there were questions or plot holes. The important thing was to get to THE END.

Or so I thought.

Because I didn't have a clue what to do when I arrived and I quickly became overwhelmed.

But last year, I also read a craft book I believe offers a reasonable alternative for me, Angela Benson's Telling The Tale: The African-American Fiction Writer's Guide. (Forget the title. It does the book a disservice since her advice can be helpful to any writer.) I talked about the book here.

Angela advises against writing the first draft clear through and then trying to figure out what to do with the mess. Rather, she recommends writing the story in 100 page increments, going back and revising each segment before starting the next. She follows this process and when she finishes, she has a draft that she's reasonably satisfied with and only needs to polish.

I like her books and respect her talent. She's also an analytical person like me so I'm trying this approach.

I've got 12,457 words. 4 chapters. 74 double-spaced pages.

Close enough.

Now, I'm stepping back and figuring out what needs to be corrected or what holes need to be filled. I began knowing my heroine's mother is deceased. I was fuzzy, however, about how and why her mother died. Now I'm not. That's backstory but it impacts her thoughts, dialogue, and actions. I've also changed the heroine's occupation.

Then, my hero and heroine were getting on my nerves. They were snapping at each other. A lot. This isn't a "love at first sight" story but it's also not The War of the Roses. So I need to soften the tone some. I've figured out how to do that through the understanding of my hero that came from writing the first portion of te the story. He's changed from someone not interested in romance to someone who is interested, just not with her.

As I'm making these changes, I'll also look for ways to tighten the prose and sharpen the dialogue. I'll try not to dwell on that stuff too much though because I don't want to get bogged down with trying to perfect this portion of the story. My goal is write another complete manuscript.

One reason I'm able to approach writing this way is that I have a synopsis for the story. Another thing Angela recommends. Last year, I tried a more fluid approach, letting the story unfold as I wrote. Didn't work for me.

Now I know where my story is going and largely how it's going to get there. There have already been some departures in the first four chapters but that's fine. They've helped me to flesh out my characters a bit more and lose some tepid plot points. But I still have a clear end and can see my way to it. That gives me more confidence to write the story.

I must admit I feel some trepidation. Part of me wants to keep writing and worry about this stuff later. But Albert Einstein defined insanity as "doing the same thing over and over again and expecting different results." I'd like to finish this story and preserve my sanity.

After I complete the entire story using this process, I'll turn to my crit group for feedback.

How has your process changed since you began writing? Have you settled in to a single method or are you still making adjustments?

Peace & Blessings,
PatriciaW
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Friday, June 27, 2008

Featured Book: It's All About Us by Shelley Adina

I'm always on the hunt for good YA novels. And despite what you might think, it's a difficult quest.

Because my teenager is male and most YA novels these days are either fantasy or decidedly targeted toward girls. Neither of which appeals to him. Which makes me avoid most of them and steer him toward adult fiction.

But every now and then, I bump up against a YA novel that I have to stop and read.

Shelley Adina's IT'S ALL ABOUT US is one of those rare finds.

It's the first book in a new series aimed at the Christian YA market. One aspect that makes this series unique is that it features a multicultural group of girls who attended an elite boarding school in San Francisco and struggle with the usual teenage issues, including their faith. Each book tells the story of a different girl.

In IT'S ALL ABOUT US, we get Lissa Mansfield's story. The daughter of a globe-trotting famous film director and a mom who hosts charity functions with celebrities, Lissa, a high school junior, is the new girl at Spencer Academy. So of course she'd like to fit in, to be popular, and even better, to snag the most popular guy in the school. Except nothing goes according to plan. Here's the book blurb:

Some things you just know without being told. . . .
Like you passed the math final (or you didn't). Like your boyfriend isn't into you anymore and wants to break up. Or . . . you're the New Girl and your junior year is going to be utterly miserable.


Lissa Mansfield is used to being in the "in" crowd--but being accepted by the popular girls at posh Spencer Academy boarding school in San Francisco is a lot harder than she thought. And then there's her New-York-loudmouth roommate, Gillian Chang, who's not just happy to be a Christian herself--she's determined to out Lissa, too. If Lissa can just keep her faith under wraps long enough to hook Callum McCloud, the hottest guy in school, she'll be golden.

But when Callum pressures her to go all the way with him, Lissa has to decide how far is too far. How can she see that line when he's so gorgeous and popular and God seems so far away? Between that and shopping for a knockout dress and booking the hottest celeb for the Benefactor's Day Ball . . . who knew finding a place at Spencer Academy would be so complicated?
This novel is smart, funny, and poignant. It's very hip--I learned a few things that might come in handy as I navigate teenagerhood in my household--and very current. It felt real and not like an adult trying to be hip with the teen crowd. Of course some of the things that make it so, like the inclusion of Angelina Jolie and Brad Pitt within the plot or mention of a specific fashion designer currently in style, will also quickly date it. But for today's teen, Christian or not, here's a book that speaks to their issues on their level.

I also like that the gang is not all here from the beginning. In the first book, it's all Lissa and Gillian with a little bit of Carly. Through their adventures, the core remains and the group of friends grows. That's how it was for me in high school, as my interests and horizons expanded. I just hope no one is lost along the way.

What makes it a fun read for adults is the way the story lands you squarely back in your teen years. Sure, the clothes have changed, there were no iPhones, and we definitely didn't have trust funds. But the emotional angst and teen-centered priorities and perspectives are common to every generation. The good news is we've made it so you already know you'll live to tell the tale and can sit back and enjoy these stories.

Another interesting thing about this series is that the publisher, Hachette, has launched an online community, It's All About Us, dedicated to the book series. Each character has her own blog. Readers can sign up to chat about the books, faith, or whatever else comes up. (The new Disney Channel movie, Camp Rock, is a current topic.) You can even "text Lissa" to be added to her phonebook, presumably for cell phone news and alerts.

So if you're looking for a cool YA read, try IT'S ALL ABOUT US. The second book, THE FRUIT OF MY LIPSTICK, releases in August, followed by four more books in 2009 and early 2010.

Learn more about the series and Shelley at her website: http://www.shelleyadina.com

Read any good YA books lately?

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Thursday, June 26, 2008

Online Writing Classes, Do's and Don'ts

Yes, I watched THE BABY BORROWERS last night. Or at least, I alternated between that and SO YOU THINK YOU CAN DANCE. Since I'd gotten drenched in a driving, late afternoon rainstorm on my way home from work yesterday, I was in no mood for anything more than vegetating in front of the TV. I found that the teen show didn't really grab my attention despite being further intrigued by the narrator's opening statement that there were "no prizes and no eliminations". But by the end, it was clear that these teens were in for more than they bargained and that they might learn a lot but some of their relationships might not survive the experiment.

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Before that little foray into the world of reality TV, we were talking about online writing classes.

I don't know that anyone has ever published etiquette or guidelines for behavior related to taking online classes but I thought someone might find my observations and experiences helpful. So here's my take on this:

First, the Don'ts:
Don't take a class if you don't have time for it.
Sure, you can get and print out the lessons but why not wait for a later time when you'll be fully engaged? You and your fellow partiicipants will gain more from your full involvement. And, if there is limited class size, you won't be taking up space that could be used by someone who's ready to learn.

Don't take a class and then share all the handouts with all of your writing buddies and critique partners.
Yes, the material was great and you just know all your writer friends will think so too. Encourage them to take the class. What did it cost you, 20 bucks? Support the instructor and class sponsor by encouraging others to enroll.

Don't be afraid to participate.
You may find yourself in the company of other published writers, or at least a whole lot of folks who seem to know a lot more about this writing thing than you do. Don't allow yourself to be intimidated! Sit at your desk, in your most comfy pjs, and jump right in! Ask questions, engage in discussions, and lend your support of the other class members, many of whom feel just like you.

Don't take a class and assume you are now an expert on the subject.
This one can be difficult, especially if the material really resonated with you. Perhaps you really do have a deeper understanding of the subject mattter. Put it to work in your writing so that you can truly master it.

Don't allow the class to overwhelm with what you don't know.
Some of the classes are short, maybe only a week or two. At the end, you may feel no more enlightened than when you started. Keep studying until you hit the nugget of truth that helps you to get it.

Don't assume what you just learned is the only way to approach the subject matter.
Writing is like baking a cake. There are many recipes, all of which result in delicious eating. If something doesn't resonate with you, don't bad mouth it. Realize you still got something out of the class. You learned what doesn't work for you.

Don't take the class as an opportunity to posit your own theory on the subject matter.
This is the instructor's class, not yours. Input is certainly welcomed but don't take up the instructor's time nor that of your classmates, challenging every point the instructor makes. If you're not truly interested in learning the subject matter as it's being taught, or quickly discover that the class is not for you, simply bow out. Don't try to hijack the course and change it into what you need it to be.

Now the Do's...
  • DO seek class recommendations.
  • DO research the class and instructor before signing up.
  • DO register before the deadline.
  • DO devote reasonable time to the workshop.
  • DO complete the assignments.
  • DO engage in class discussions.
  • DO ask questions.
  • DO keep up with the pace of the class so your questions are timely.
  • DO network with other class participants.
  • DO use digest to manage the message volume.
  • DO print out or download the lessons and handouts.
  • DO soak up as much information as you can, keeping what will be helpful to you, and graciously discarding the rest.
Most of all, keep writing!

One last point. I find the majority of online classes are offered between January and September, with July being an "off" month due to the RWA convention. Plan accordingly.

Peace & Blessings,
PatriciaW
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, June 24, 2008

Reality Shows and Romance

That last post, the one about THE BABY BORROWERS, got a lot of attention.

So I'm making the connection between reality shows and romance writing over on Romancing The Blog today. Stop by!

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Thursday, June 19, 2008

Reality TV Break: The Baby Borrowers

I'm supposed to be talking about Online Writing Class Do's and Don'ts. I will. Just not today.

Has anyone seen the promo for THE BABY BORROWERS? It's a new reality TV show airing on NBC beginning June 25.

Teenagers get to "borrow" babies as a means of finding out what adult/parenthood is really like. Wuh???

I had to check this out. From the show's website, I learned it's actually bigger than that. Here's some of what NBC says about their new show:

NBC's upcoming reality series "The Baby Borrowers" is an intriguing new social experiment based on the hit British program that asks five diverse teenage couples -- ages 18-20 -- to fast-track to adulthood by setting up a home, getting a job and becoming caring parents first to babies, toddlers, pre-teens and their pets, teenagers and senior citizens -- all over the course of three weeks.

These teen couples spend three days with "volunteer" babies. (I believe the correct term would be "volunteered" babies, since these infants, age 6-11 months, had no say in the matter.) The teens and the children are being observed by 24-hr nannies as well as the parents who are watching on closed-circuit TV next-door.

I'm still too protective of my 13/5/3 yr old folks to even remotely consider something like this. Hope the parents are getting paid enough to start a really nice college fund.

Three days. Babies go home and the couples move on to a toddler. After three more days, they go on to pre-teens along with a pet. Another seventy-two hours and the teenagers show up. Finally, they must care for a senior citizen.

This should be interesting. It is completely an exercise in time management, organization, patience, and compassion. Three days into caring for my sons after birth and I was still completely clueless.

The "unreality" of this is that real parents/adults learn as we go, and what we learn prepares us for the next challenge. We also have the benefit of time so that we can see the next challenge on the horizon and hopefully do a bit of preparation. Fifteen days of insanity does not reality make.

Then, there's no mention of the sleeping arrangements. From what I see, four of the five couples are college students. The other couple consists of surfers who rely on the financial goodwill of their parents. None are married. I know what's socially acceptable, even if I don't agree but are their parents cool with this?

Last, they're living in really nice homes, fully furnished, with playsets in the backyards. This should be everyone's reality. It's not. I assume the producers didn't want to muck up the social experiment by making it too steeped in real world concerns like finding adequate housing, making do with less than the best furnishings and appliances, or having to deal with crowded or dirty playgrounds. They do, however, have to work, at least one person from each couple. And they may be faced with addressing health concerns.

I haven't posted about a reality TV show in a while but you guys know I'm a selective reality show junkie. (If it looks interesting and hooks me, I'm all in!) What fascinates me most about reality TV is story. Are the characters interesting and do the producers tell a good story?

I definitely have to give THE BABY BORROWERS a try. I needed something to replace the recently ended TOP CHEF anyway.

Have you seen any good reality TV of late?

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Wednesday, June 18, 2008

Teach Me To Write, Part II

Did you find an online course that meets your needs?

The thing is, online courses can be great...or not very good at all. I've experienced both.

First, a good experience. Last year, I took The Plotting Bootcamp taught by Rose's Colored Glasses authors, Elle James and Delilah Devlin. There were about twenty writers in the group. Our "drill instructors" posted lectures and gave us weekly assignments. We were encouraged to utilize our current wip's, which meant a chance to get feedback. They offered helpful worksheets and lots of encouragement and support. Working on my first full manuscript, afraid of the sagging middle, I found this class very helpful. I didn't participate as much as I would have liked after the first two weeks but only because I was so energized to spend my time working on my story. For folks struggling with or just looking for a structured approach to plotting, I highly recommend this class.

One of the things that makes a class great is the instructor's interaction with the students. A lot of the real learning goes on there, ususally facilitated through a chat loop or forum. You can get as much or more out of this than than the lectures, which are typically posted articles. Some instructors actively dialogue with students, thereby enriching the class experience, while others simply post lectures and let the students flail away alone trying to help each other. Unfortunately, you won't know this until the class has already started.

Another thing to watch out for is class size. A lot of folks will lurk but if a class is particularly huge with a lot of active participants, it's easy to get lost in the sauce (although a good instructor will make sure every question gets answered). If I really want to get in-depth help in an area, I look for limited class size so the instructor will have more time for each participant.

When I look into taking an online class, I do a little research. Who's the instructor? Has she taught the class before? What books has she published? Is the class size limited? Have I seen her class recommended on any of the blogs or loops I read? My goal is to make sure the author can deliver what she promises and that the class will meet my needs.

Don't assume all instructors are published authors, and I'm not saying they need to be in order to teach a good class. You can learn something from anyone but if this is important to you, check it out before you plunk down a wad of cash. When possible, I look for authors whose works I've read and liked. Not that instructors whose books I didn't read or didn't like can't help me--who knows, maybe they're actually better teachers?--but I have more faith in the ability of the instructor to deliver if I've read her work and liked it. Just doesn't make sense to me to have someone teach me about characterization if I think the author could use some help in that area herself.

Another tip is to know upfront what you want to get out of the class. Having some sense of your own expectations going in makes it more likely you'll get your needs met. Match your objectives to the stated class objectives prior to signing up. Doesn't make sense to take a class on world building if you really want help with plotting. Hijacking the forum to your agenda isn't playing nice.

Choose based on what you need at the moment, based on where you are with your current wip or, if you're between manuscripts, what you would like to work on before starting your next. If you frequently get editor feedback about fleshing out your hero, maybe a class on creating believeable heros is right for you.

Consider whether you're ready to take a class. If you're writing heavily, now might not be the time for you. Maybe you'd be better positioned to get the most out of the class while your manuscript "rests" before you start revisions or while you await editorial feedback from your publisher. On the otherhand, if you're struggling with a particular area in your wip, as I was last year, taking a related online class concurrent with writing might drop the key to unlock your struggle right into your lap.

Time for the not so good experience.

Years ago, when I began writing, I thought it might be useful to take get a brushup in grammar, punctuation, and such. You know, the rules. So I enrolled in another BNU class, coming off a positive experience with Leigh Michaels' class. It was a nightmare! The lecture articles were pretty good, like a mini English textbook but, there were like 300 students, all asking questions about the various topics. My inbox was completely overtaken! Side conversations would start and veer away from the topic at hand. They had an administrator who tried hard to rein folks in but I think there were just too many people enrolled. And I hated the required reading book, which was kind of cutesy in its approach to the subject matter. I found it both annoying and useless.

So now, I check out the required reading, if there is any, beforehand. I prefer classes with a limited enrollment, if possible. If not, then I make up my mind to approach it simply as a survey class, meaning I get the lecture notes and handouts, and do the rest on my own. I always sign up for the chat loop or class forum in digest form. Yes, it puts me a day behind the action but I can always change that option if I see that the message volume is manageable.

Can you think of any other tips you'd offer for writers in search of online writing classes? Tomorrow I'll post a summary of my do's and don'ts.

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, June 17, 2008

Teach Me To Write, Part I

Got an idea for a post from a recent entry on the Seekerville blog.

Online writing classes. I've taken a few so I know a little something about them.

If you have a desire to learn more about writing craft, a great way to do so is through online classes.

I'm a lifelong student. I love to learn. So one of the very first things I did upon deciding that I wanted to write in earnest, maybe seven or eight years ago, was look for online courses.

The idea of learning online was neither foreign nor scary to me. In fact, it was preferred because I didn't have to make time to go to a physical classroom, I could take the lessons at a time convenient for me, I could wear my most comfortable clothes, and I could still attend to my family while learning.

I found an online course given by what was then BNU, the Barnes & Noble University. It was taught by romance author Leigh Michaels. Her book, Creating Romantic Characters: Bringing Life to Your Romance Novel, was required reading. For a nominal fee, maybe $20, I got a great introduction to writing a romance from a well-respected author and instructor.

BNU no longer exists but there are loads of online courses available and more popping up everyday.

Organizations like Gotham Writers Workshop, where Ms. Michaels teaches a 10-week master class, and Writer U offer a slate of courses on a regular basis.

Then, many chapters of Romance Writers of America offer courses with titles from KICK Start Your Next Novel to Getting Into Deep POV and from Public Speaking for Writers to Getting Ready for Conference.

Fees are as little as $10 for RWA-sponsored courses, if you are an RWA member, or free if you are a member of the host chapter, to as much as several hundred for courses offered by a collge or university, or formal training organization.

Courses run from as little as one week to several months in duration.

Need help in Plotting? Grammar & Punctuation? Crafting Believable Characters? Revision? There's an online course for you.

Here are some more links for finding online writing classes:
AnnounceOnlineWritingClasses, a Yahoo Group which publishes announcements for upcoming classes; a great one-stop shop for all those RWA classes
Rose Colored Glasses Online Workshops -- they offer a tremendous Plotting Bootcamp
Writer's Online Classes --haven't taken any but they sound interesting
Alicia Rasley's classes --Alicia offers great writing advice on her website

In Part II, I'll talk about some of my specific experiences with online classes. Then, I'll post my own Do's and Don'ts for taking online classes.

Have you taken any writing classes on the Internet? What has your experience been? Any recommendations?

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Monday, June 16, 2008

What Happened to Summer VACATION???

I've updated my wip meter in the right side bar. Did you notice? Also added a Shelfari bookshelf for my current reads. Made it easier for folks to subscribe to the blog.

More changes coming. I plan to go from two columns to three, and I'm thinking about a custom overhaul.

Anyway, I crossed the 10,000 word mark on my wip!

I'm writing, I'm writing...



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Couldn't wait for the school year to end so I could get a breather from running between two schools and three sports teams. Whew!

Said breather lasted two days. Yup. One, two.

Then summer basketball began. Practices and early evening games. Sometimes two games in one night.

Now summer camps are gearing up. Three kids going in three different directions based on interests and age restrictions. Will last up to four days before school resumes. Four days?!

Can we say verging on insanity?

Throw in a trip to Grandma's, some 950 miles rt, in about a month. Then there's the Christian fiction retreat I've committed to attending. A Disney getaway we're trying to squeeze in here somewhere, that is feeling less vacation-like and more task-to-check-off-to-do-list. Not to mention business trips.

Just spritz me with some cool water if you run into me anywhere. Chances are I'm scurrying to get some place else.

How's summer shaping up for you?

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Saturday, June 14, 2008

Reader/Writer Tidbits -- June 14, 2008

Just a few quick tidbits this Father's Day weekend:

Got a lot of books lying around that you'll probably never read again? Know of a bunch that you'd like to read but don't have yet? Here's have a way to get rid of the ones you don't want and possibly find some new reads you've been meaning to purchase or borrow. It's called Paperback Swap. Ignoring the name--because you can swap hardcovers, audio books, pretty much any format--this exchange site costs you nothing but the price of shipping your requested books to their new owners. And when you request books, the current owners pay to send them to you. Pretty cool, isn't it?

I received an announcement about a writers conference called ThrillerFest 2008, which will be held in NYC July 9th - 12th. I can get into a good thriller, although writing them isn't my forte, so I'm passing this info along for those who are into writing "killers, kidnappers, spies & trouble makers". Get more info here.

Last, I heard this week about a new Christian traditional publisher, SunPenny Publishing. It's a new publisher so they're not paying royalties yet but they are assuming all the costs of publication and distribution, as any other traditional publisher. Check them out.

Enjoy the weekend! Running a few errands, hanging out with my boys, reading a good Christian suspense, and celebrating Father's Day with Hubby. (He's a great dad to our sons!) Remembering my father, 22 years since God eased his pain and took him home. I love you, Daddy!

Happy Father's Day, everyone!

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Thursday, June 12, 2008

More On Finding Your Writing Voice

Wow! Voice is a popular topic these days. It's popping up everywhere!

Michelle Dunaway talked about voice over on the BookEnds Literary Agency blog recently. She says
"Your author’s voice is actually already with you. It’s found deep inside you, but it doesn’t take any money or a clinical psychologist to help you get it out. All you need is to know who you are, and accept that who you are is what you are."
Know who you are and accept it.

That says to me that voice has something to do with values and beliefs. I take it to mean one can be an ultra-good person and write an ultra-evil character but somehow the writer's values and beliefs will creep into the characterization of both the good and evil characters in the story. Maybe the villian is the antithesis of what the writer believes in order to highlight her true beliefs through the hero and/or heroine.

It says to me that the stories we craft ultimately share some truth about ourselves.

But CAUTION!!!

It's not about setting out to write a good message. It's about writing a good story.

I've heard many authors say that they don't know the theme of their stories until they finish writing them. I've heard authors say they didn't realize certain common themes run through their books or that their stories tend to evoke certain emotions until a reader or someone else pointed it out to them.

It's kind of like the you that you would let out to play if you didn't have a care in the world. No filters. No judgments.

The true you.

Michelle seems to agree. She went on to say
"Whatever or whomever you are, you are unique. Your combined experience gives you a personality and a life that is similar, yet different, from everyone else. And what makes you unique helps create your author’s voice, which is how you create dialogue that sounds real, settings that readers visualize, and plots that come alive."
So when authors struggle with finding their voice, perhaps what they really mean is that they struggle with crafting their stories in such a way that their core truth shines through. Maybe their characters are close but not quite. Maybe they've chosen a plot point that rings hollow for them, which in turn, causes the writing of that portion of the story to ring hollow.

This brings me back to Claudia Mair Burney's point, and the many authors who encourage new writers to simply tell the story.

Get the story on the page.

It may need a world of editing before it ever sees a bookstore, as Claudia's first story did, or perhaps, once you have a rough draft, you are able to refine and polish it pretty well on your own, requiring little to no editing from your agent or publisher. Either way, too much focus on editing in the early drafts is likely to edit out one's voice. Especially if you use your critique partners on the early drafts.

I critted for one of my crit partners a few months back. I love her storytelling and characterization. I felt, however, that some aspects of her technical writing could be improved. In trying to give her examples, I found myself rewriting sentences, thinking I was doing a really good thing for her. She very graciously accepted my feedback. But a few chapters into her manuscript, it hit me.

I was trying to tell the story in my voice, not hers. Which makes it a wholly different story.

Sure, there was still room for improving her prose but I realized that it was not for me to rewrite her sentences or to tell her how to do it but simply to make suggestions.

She still lets me crit her work--Thank you!--and I look forward to having her critique mine when I start submitting my current wip to the group.

In the mean time, I'm focusing on that main point highlighted above:

Get the story on the page.

Still, knowing one's voice (which might be a better way of putting it than "finding") seems critical. So the idea is still swirling about in my head. More when the thoughts settle down.

Actually this brings me to a bigger topic that's also been swirling. All the stuff that new writers take in, worry about, and maybe allow to become a distraction on their journey to publication in the name of "getting it right". That's a whole 'nutha topic.

Back to writing... (5,562 words plus 3 handwritten legal pages and a synopsis)

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Wednesday, June 11, 2008

Finding One's Literary Voice

Lately, I've been thinking about voice. A writer's voice, that special something that can light the publishing world on fire...or relegate one's manuscripts to the depths of...

Let's just say voice is important.

A few things started me thinking about voice lately. First, I started my current contemporary, inspirational romance wip by writing a complete synopsis. I posted it to me crit group for feedback. I was told it had a "chick-lit voice".

Waaaahhhh? Chick-lit?!

Let's forget that pretty much every agent and editor will tell you that chick-lit is dead. I choose to assume my writing style isn't.

Instead, I took that feedback to mean that the story, as I conveyed it, sounded kind of fun and upbeat. The critiquer thought my heroine was early 20's when in fact she's 30 so clearly I have work to do on the synopsis. But it was useful feedback as I write the story to make sure she doesn't come across as younger than I want her to be.

Another thing that got me thinking about voice was a workshop that Claudia Mair Burney, whose "voice" I absolutely looove, did during the recent Visions in Print online workshop. If you haven't heard her publishing story, in short, she had no designs on being anything more than a blogger. A publisher loved her blogging voice and contacted her to write fiction for his house. Get that!

Knowing nothing about writing do's and donts, she simply wrote. And what came out, although it needed much editing to be publishable, was her voice.

Last, lit agent Rachelle Gardner has begun talking about voice on her blog. Rachelle defines voice like this:
your writer's voice is the expression of YOU on the page. It's that simple—and that complicated. Your voice is all about honesty. It's the unfettered, non-derivative, unique conglomeration of your thoughts, feelings, passions, dreams, beliefs, fears and attitudes, coming through in every word you write.
This is at the same time that you're presenting your fictional world from your character's point of view.

Sound confusing?

Yeah, just a bit.

Ms. Gardner says voice is not about style but I'm not so sure. So I ask, how do you define voice? Is a style of writing or maybe an author's brand? Does it change from genre to genre when an author writes in multiple genres?

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Tuesday, June 10, 2008

Debut Author: Sherri Sand

The third debut novel I had hoped to feature in May was Sherri Sand's Leave It to Chance. I had hoped to receive the book in time to review it during Sherri's May blog tour but I didn't receive my copy until the very end of the month, and didn't have time to read or feature it.

The good news is...I also got a copy to give away!

So Sherri's novel is now my second June feature.

About Sherri:
Sherri is a mother of four who resides in Oregon. She has a degree in psychology, which certainly must be useful in raising her children, and probably helps in writing too, since she brings a learned opinion to character motivation.

One of the things that attracted me to Sherri and her novel is that she has four children. Four! And she still makes time to write. From my experience, the laundry alone could fill up her days!

About the book:
Single mom of three, Sierra Montgomery is desperate to find a new job to keep from having to move back home and be smothered to death by her mother's good intentions and overbearing love. So when Sierra inherits Chance, a quirky old gelding she doesn't have a clue what to do with, she thinks her best bet may be to sell the horse to cover another month's rent--a decision that devastates her children.

Enter Ross Morgan, a handsome landscaper who just happens to have an empty barn and fenced pasture... perfect for an old horse to live out his days as the pet of three wounded kids. Ross develops a soft spot for eldest child Braden...and he just might have one for Braden's mother. But what he doesn't have is time for distractions--he's got a landscaping business to run and nursery plants to tend.

But there's just one problem. Sierra's terrified of horses and--thanks to her past--wary of attractive men. Yet seeing the way her angry son idolizes Ross and adores that old horse forces Sierra to confront her fears. Will she remain distrustful and self-reliant, or will she seek help from God and those who love her?


The second thing that attracted me to this book, besides it being a Christian romance, was something not in the book blurb. I'm not big on horse stories but something about inheriting a horse caught my attention, especially since Sierra is afraid of horses. Who would leave a woman a horse knowing she was scared of them? (I figure someone who bequeaths something as big as a horse to a person probably knows that person fairly well.) Probably a minor point in the story but it got my attention, and got me to thinking about book blurbs. (But that's a post for another day.) Funny what might pique a reader's curiosity.

I peeked at the first couple of pages. I know who gave Sierra a horse but not why, which means, of course, that I'll have to keep reading, of course!

Post a comment and I'll select one commenter to receive a copy of Leave It to Chance.

Learn more about Sherri and her book at her website: http://www.sherrisand.com

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Monday, June 09, 2008

Have You Tried a Christian Suspense Book?

I like a good suspense read.

Romantic suspense, of course but even suspense without the romance, can get my juices flowing. Old favorites include Robert Ludlum, Tom Clancy, and Stephen King. Newer favorites include Heather Graham, Allison Brennan, Cameron Cruise, Andrea Kane, and Lisa Scottoline.

(Yes, I noticed that my newer faves were all female. Shows how much the genre has changed.)

I love a good Christian suspense read.

Years ago I read Frank Peretti's This Present Darkness. Talk about some scary stuff. Certainly on par with, if not scarier than, Stephen King's The Stand. Both were scary enough to make me stay faaaarrr away for quite some time.

It's all about good vs. evil.

After those, I mostly read Christian suspense with very strong romantic elements.

Needed the balance.

Because those other books were very heavy on the supernatural: angels, demons, and very bad happenings.

I believe in those things. I just don't want to read about them when I'm seeking entertainment. (Make Tosca Lee's Demon the exception to that rule.)

But Christian suspense is changing.

Publisher's Weekly has an interesting article about how this genre is changing and some of the reads to be on the look out for. You can read the article in its entirety here but I'll provide a few highlights:

“It used to be the story needed to be high in redemptive elements and the characters needed to understand God in a better way,” says Shannon Hill, WaterBrook's senior fiction editor. “Now, if the reader thinks about those things, that's great, but the primary point of the story is to entertain.”

“You are getting away from angels and demons to a more ABA kind of suspense,” says David Long, fiction acquisitions editor at Bethany House. “Publishers are willing to take more risks to tell ABA-style mysteries and thrillers rooted in murders and reality–—more human-against-human conflict.”

Jennifer Leep, acquisitions editor for Revell, says...“There is not a lot of overt Christian message in the book,” she says. “It is just a race to catch the bad guy, with spiritual themes that are part of the subtext for anyone who wants to pull them out.”

FaithWords' (Anne) Horch says the burden is on the publisher. “I can see the stories getting pretty edgy, and that's where I am going to be very discerning. There is more room for mistakes. But suspense is actually a genre that can put the Gospel out there really blatantly. What other genre deals with good and evil in a very obvious way? This is an opportunity to let God shine.”
So check out a Christian suspense next time you're in the book store. Some of my favorite authors are Terri Blackstock, Brandt Dobson, Susan Meissner, Randy Alcorn, and James Scott Bell.

Do you read suspense? Christian or general market? What changes have you noticed in the genre?

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Friday, June 06, 2008

The Dreaded June Goal Check-in

Time to check in with my writing goals for 2008. Last year I think I checked in at least quarterly. This year...

This year I've been practicing, uh, avoidance. Very successfully, I might add.

Because I have this sense that I'm way off course, that I'll cringe when I see how far afloat I am relative to the lofty goals I had at the beginning of the year.

But hey, checking in is a part of the goal management process. And since I've conquered the cloud of funk that weighed so heavily over my writing during the earlier part of the year, now's as good a time as any to see just how far astream I've drifted.

Then again...

I could have waited another month and played it off as if I'd planned to do a mid-year review. But that would be, ahem, cowardice.

Maybe it's not as bad as I think. And since there are still seven months left in the year, perhaps at least a few of my goals can be salvaged.

Here goes...
  1. Invest at least $25 monthly in my writing career.

  2. I've actually average more like $75 per month, most on books and most of those in my chosen genre. Failed Alphasmart repairs, writing organization fees, conference fees, and overdue library fees--would you call that an investment?--make up the balance. If asked, I'd have said impossible. Funny how much one can spend when paying only scarce attention.

    Way to start off!

  3. Complete at least one book, from idea to completion by July 2008.

  4. For my latest wip, I'm writing a scene a day. (Gotta get that counter up!) Just began about two weeks ago so I'd have to go into fast draft mode to make a first draft happen by July. When I said "completion", I meant revised and polished. Not going to happen so we'll adjust the target -- I can do that -- and shoot for December.

  5. Submit completed book to at least three RWA chapter contests for feedback by October 2008.

  6. Not out of the realm of possibility yet because there are contest deadlines every month. Most contests require a synopsis -- have one! -- and 25-30 pages. I could still do this, even as I'm working on completing the story. No adjustments here yet.

  7. Write and submit one short story monthly to confessions magazines.

  8. Hasn't happened only because I haven't applied laser focus to this one. I've started two short stories. Wrote the better part of each one in a few hours. Need to finish and polish them, which would take a few more hours each. But don't want to detract from my larger goal of completing the novel-length work, especially not before I really get into a writing groove. I'll give this some more thought.

  9. Attend BWRC 2008 conference in July.

  10. First problem is that I somehow thought it was in July. The Black Writers Reunion & Conference is June 19-21, in less than 2 weeks! Interestingly enough, because of unforeseen expenses--and lack of focus, I never paid for a full conference registration. And it's local!

    I will attend the Saturday sessions though. In addition, I'm committed to attending the Faith and Fiction Retreat in August in Destin, FL. Put it out that I was thinking about it and before I knew it, I had two roommates -- waving to Tyora and Pat!-- and was committed. Helps to have folks to keep you focused and on the hook! This is less of a writers conference and more of a readers jaunt but I look forward to meeting and talking with some of my favorite authors.

  11. Join ACFW and RWA by March 2008. Attend at least half of the meetings thru December.

  12. I joined American Christian Fiction Writers in March but still haven't joined RWA. This might get pushed into 2009. ACFW doesn't have meetings in my local area but there are several very active email loops and forums, including a monthly online class. This was a good move.

  13. Cut reading in half to devote more time to writing.

  14. This was supposed to reduce my reading total to 75-80 books for the year. I did slow my pace a bit but I'm still already at 54.

    Is there a Book Readers Anonymous?

    Can't not read. But I suspect my reading will tail off a bit more, because I have less reading time in the summer--not as many traffic lights as during the school drop-off routine (You'd be surprised how much reading one could do at stoplights!)--and as I get deeper into my wip.
Overall, I'd give myself a C. Yaaayyy!

Never thought I'd be excited about being on par performance-wise with a president who shall remain unnamed!

Expected much worse.

Clearly accomplishing one's goals takes more than a notion. Calls for focused attention and action.

Which brings me back to this year's tagline: Stay focused. Move Forward. Believe.

I've been great in the "Believe" department. I've learned so much and there are a million amazing stories in me fighting to get out. Not so good in the "Stay focused" and "Move Forward" departments. But as I said the funk is over.

How are you doing with your goals for the year?

Peace & Blessings,
Patricia
Repeating...Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Thursday, June 05, 2008

Ruminations on Book Publishing and Book Quality

I could have easily entitled this post, "You Get What You Pay For...Sometimes" or "Some Books Aren't Worth the Paper They're Printed On" or some other such title.

I'm reading a book that I'm loving. By one of my favorite authors. Absolutely beautiful book cover, one of the best I've seen this year.

Great characters, strong plot, good writing.

But my book reading experience is taking a serious nosedive.

Why?

Because the quality of the physical book is terrible.

I'm one of those readers who takes really good care of her books, fiction and non-fiction.

No dog-ears, no writing, no highlighting, no page folding...nuh-uh. Not me.

So imagine my dismay, as I'm halfway through this book, and I realize that the book is...curling.

From both ends.

Like a rolled up newspaper or one of my son's important papers from school.

What?!

This is a trade paperback. I expect quality to be somewhat in proportion to price. Trade paperbacks should be higher quality than mass market. Hardcovers should be better quality than trade.

Make sense?

I get that publishers make physical decisions for a host of reasons, like cost of paper and brand distinctiveness (weight and color of paper, font-type and font-size, etc).

But is it too much to think that a publisher wouldn't make the spine so soft and select paper so thin that the book starts curling by itself?

This is probably not something you think about everyday. I didn't either.

As much as I'm enjoying the story, I can't wait to finish it just so I can shelve this book between two larger volumes in order to get the covers and pages to be flat again.

A bit obsessive, I realize, but there it is.

Makes me think twice about signing a contract with said publisher. They put out a number of titles that I read and enjoy each year and since I don't have any other publishers screaming for me, I'd hardly say know but I can see my then-agent cringing as I start asking questions about the quality of the paper used in the publishing process. And it makes me wonder how they're rate in the industry, relative to advances paid, royalty rates, and overall sales.

An argument could be made that these things have nothing to do with the poor quality of the book I'm reading but I think that everything a manufacturer says, does, and produces is a reflection on that corporation and its values.

Too many years toiling in corporate America.

Do any unusual, somewhat esoteric things affect your reading experience?

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Wednesday, June 04, 2008

America, It's Our Time!!!

If you love great story, full of great characters, with plenty of drama, conflict, and high stakes, then you've got to love this story:



Barack Obama, the first African-American major party nominee for president of the United States!



And if you're like me, just hating when you come to the end of a great book, the best part is that the story's not over yet! More to come!

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Monday, June 02, 2008

Featured Book: DragonLight by Donita K. Paul

Okay, it's not actually June 1st but it's close. I'm not big on fantasy myself but I've been on a continual hunt for good YA reads for my oldest son. He's not big on fantasy either but he did enjoy the Harry Potter books so we'll see.

I still have one more debut author from May, Sherri Sand, who I'll post later this week.




It is June FIRST, time for the FIRST Blog Tour! (Join our alliance! Click the button!) The FIRST day of every month we will feature an author and his/her latest book's FIRST chapter!




The featured author is:



and her book:


DragonLight
WaterBrook Press (June 17, 2008)



ABOUT THE AUTHOR:

Donita K. Paul is a retired teacher and award-winning author of seven novels, including DragonSpell, DragonQuest, DragonKnight, and DragonFire. When not writing, she is often engaged in mentoring writers of all ages. Donita lives in Colorado Springs, Colorado where she is learning to paint–walls and furniture! Visit her website at www.dragonkeeper.us.

The Books of the DragonKeeper Series:

DragonSpell
DragonQuest
DragonKnight
DragonFire
DragonLight

Visit her website.

AND NOW...THE FIRST CHAPTER:

Castle Passages


Kale wrinkled her nose at the dank air drifting up from the stone staircase. Below, utter darkness created a formidable barrier.

Toopka stood close to her knee. Sparks skittered across the doneel child’s furry hand where she clasped the flowing, soft material of Kale’s wizard robe. Kale frowned down at her ward. The little doneel spent too much time attached to her skirts to be captivated by the light show. Instead, Toopka glowered into the forbidding corridor. “What’s down
there?”

Kale sighed. “I’m not sure.”

“Is it the dungeon?”

“I don’t think we have a dungeon.”

Toopka furrowed her brow in confusion. “Don’t you know? It’s your castle.”

“A castle built by committee.” Kale’s face grimaced at the memory of weeks of creative chaos. She put her hand on Toopka’s soft head.

The doneel dragged her gaze away from the stairway, tilted her head back, and frowned at her guardian. “What’s ‘by committee’?”

“You remember, don’t you? It was just five years ago.”

“I remember the wizards coming and the pretty tents in the meadow.” Toopka pursed her lips. “And shouting. I remember shouting.” “They were shouting because no one was listening. Twenty-one wizards came for the castle raising. Each had their own idea about what we needed. So they each constructed their fragment of the castle structure according to their whims.”

Toopka giggled.

“I don’t think it’s funny. The chunks of castle were erected, juxtaposed with the others, but not as a whole unit. I thank Wulder that at least my parents had some sense. My mother and father connected the tads, bits, and smidgens together with steps and short halls. When nothing else would work, they formed gateways from one portion to another.”

The little doneel laughed out loud and hid her face in Kale’s silky wizard’s robe. Miniature lightning flashes enveloped Toopka’s head and cascaded down her neck, over her back, and onto the floor like a waterfall of sparks.

Kale cut off the flow of energy and placed a hand on the doneel’s shoulder. “Surely you remember this, Toopka.”

She looked up, her face growing serious. “I was very young then.”

Kale narrowed her eyes and examined the child’s innocent face. “As long as I have known you, you’ve appeared to be the same age. Are you ever going to grow up?”

Toopka shrugged, then the typical smile of a doneel spread across her face. Her thin black lips stretched, almost reaching from ear to ear. “I’m growing up as fast as I can, but I don’t think I’m the one in charge. If I were in charge, I would be big enough to have my own dragon, instead of searching for yours.”

The statement pulled Kale back to her original purpose. No doubt she had been manipulated yet again by the tiny doneel, but dropping the subject of Toopka’s age for the time being seemed prudent.

Kale rubbed the top of Toopka’s head. The shorter fur between her ears felt softer than the hair on the child’s arms. Kale always found it soothing to stroke Toopka’s head, and the doneel liked it as well.

Kale let her hand fall to her side and pursued their mission. “Gally and Mince have been missing for a day and a half. We must find them. Taylaminkadot said she heard an odd noise when she came down to the storeroom.” Kale squared her shoulders and took a step down into the dark, dank stairwell. “Gally and Mince may be down here, and they may be in trouble.”

“How can you know who’s missing?” Toopka tugged on Kale’s robe, letting loose a spray of sparkles. “You have hundreds of minor dragons in the castle and more big dragons in the fields.”

“I know.” Kale put her hand in front of her, and a globe of light appeared, resting on her palm. “I’m a Dragon Keeper. I know when any of my dragons have missed a meal or two.” She stepped through the doorway.

Toopka tugged on Kale’s gown. “May I have a light too?”

“Of course.” She handed the globe to the doneel. The light flickered. Kale tapped it, and the glow steadied. She produced another light to sit in her own hand and proceeded down the steps.

Toopka followed, clutching the sparkling cloth of Kale’s robe in one hand and the light in the other. “I think we should take a dozen guards with us.”

“I don’t think there’s anything scary down here, Toopka. After all, as you reminded me, this is our castle, and we certainly haven’t invited anything nasty to live with us.”

“It’s the things that come uninvited that worry me.”

“All right. Just a moment.” Kale turned to face the archway at the top of the stairs, a few steps up from where they stood.

She reached with her mind to the nearest band of minor dragons. Soon chittering dragon voices, a rainbow vision of soft, flapping, leathery wings, and a ripple of excitement swept through her senses. She heard Artross, the leader of this watch, call for his band to mind their manners, listen to orders, and calm themselves.

Kale smiled her greeting as they entered the stairway and circled above her. She turned to Toopka, pleased with her solution, but Toopka scowled. Obviously, the doneel was not impressed with the arrival of a courageous escort.

Kale opened her mouth to inform Toopka that a watch of dragons provides sentries, scouts, and fighters. And Bardon had seen to their training. But the doneel child knew this.

Each watch formed without a Dragon Keeper’s instigation. Usually eleven to fifteen minor dragons developed camaraderie, and a leader emerged. A social structure developed within each watch. Kale marveled at the process. Even though she didn’t always understand the choices, she did nothing to alter the natural way of establishing the hierarchy and respectfully worked with what was in place.

Artross, a milky white dragon who glowed in the dark, had caught Kale’s affections. She sent a warm greeting to the serious-minded leader and received a curt acknowledgment. The straight-laced young dragon with his tiny, mottled white body tickled her. Although they didn’t look alike in the least, Artross’s behavior reminded Kale of her husband’s personality.

Kale nodded at Toopka and winked. “Now we have defenders.”

“I think,” said the doneel, letting go of Kale’s robe and stepping down a stair, “it would be better if they were bigger and carried swords.”

Kale smiled as one of the younger dragons landed on her shoulder. He pushed his violet head against her chin, rubbing with soft scales circling between small bumps that looked like stunted horns. Toopka skipped ahead with the other minor dragons flying just above her head.

“Hello, Crain,” said Kale, using a fingertip to stroke his pink belly. She’d been at his hatching a week before. The little dragon chirred his contentment. “With your love of learning, I’m surprised you’re not in the library with Librettowit.”

A scene emerged in Kale’s mind from the small dragon’s thoughts. She hid a smile. “I’m sorry you got thrown out, but you must not bring your snacks into Librettowit’s reading rooms. A tumanhofer usually likes a morsel of food to tide him over, but not when the treat threatens to smudge the pages of his precious books.” She felt the small beast shudder at the memory of the librarian’s angry voice. “It’s all right, Crain. He’ll forgive you and let you come back into his bookish sanctum. And he’ll delight in helping you find all sorts of wonderful facts.”

Toopka came scurrying back. She’d deserted her lead position in the company of intrepid dragons. The tiny doneel dodged behind Kale and once more clutched the sparkling robe. Kale shifted her attention to a commotion ahead and sought out the thoughts of the leader Artross. “What’s wrong?” asked Kale, but her answer came as she tuned in to the leader of the dragon watch.

Artross trilled orders to his subordinates. Kale saw the enemy through the eyes of this friend.

An anvilhead snake slid over the stone floor of a room stacked high with large kegs. His long black body stretched out from a nook between two barrels. With the tail of the serpent hidden, she had no way of knowing its size. These reptiles’ heads outweighed their bodies. The muscled section behind the base of the jaws could be as much as six inches wide. But the length of the snake could be from three feet to thirty.

Kale shuddered but took another step down the passage.

Artross looked around the room and spotted another section of ropelike body against the opposite wall. Kegs hid most of the snake.

Kale grimaced. Another snake? Or the end of the one threatening my dragons?

The viper’s heavy head advanced, and the distant portion moved with the same speed.

One snake.

“Toopka, stay here,” she ordered and ran down the remaining steps. She tossed the globe from her right hand to her left and pulled her sword from its hiding place beneath her robe. Nothing appeared to be in her hand, but Kale felt the leather-bound hilt secure in her grip. The old sword had been given to her by her mother, and Kale knew
how to use the invisible blade with deadly precision.

“Don’t let him get away,” she called as she increased her speed through the narrow corridor.

The wizard robe dissolved as she rushed to join her guard. Her long dress of azure and plum reformed itself into leggings and a tunic. The color drained away and returned as a pink that would rival a stunning sunset. When she reached the cold, dark room, she cast her globe into the air. Floating in the middle of the room, it tripled in size and gave off a brighter light.

The dragons circled above the snake, spitting their caustic saliva with great accuracy. Kale’s skin crawled at the sight of the coiling reptile. More and more of the serpentine body emerged from the shadowy protection of the stacked kegs. Obviously, the snake did not fear these intruders.

Even covered with splotches of brightly colored spit, the creature looked like the loathsome killer it was. Kale’s two missing dragons could have been dinner for the serpent. She searched the room with the talent Wulder had bestowed upon her and concluded the little ones still lived.

The reptile hissed at her, raised its massive head, and swayed in a threatening posture. The creature slithered toward her, propelled by the elongated body still on the floor. Just out of reach of Kale’s sword, the beast stopped, pulled its head back for the strike, and let out a slow, menacing hiss. The snake lunged, and Kale swung her invisible weapon. The severed head sailed across the room and slammed against the stone wall.

Kale eyed the writhing body for a moment. “You won’t be eating any more small animals.” She turned her attention to the missing dragons and pointed her sword hand at a barrel at the top of one stack. “There. Gally and Mince are in that keg.”

Several dragons landed on the wooden staves, and a brown dragon examined the cask to determine how best to open it. Toopka ran into the room and over to the barrel. “I’ll help.”

Kale tilted her head. “There is also a nest of snake eggs.” She consulted the dragon most likely to know facts about anvilhead vipers. Crain landed on her shoulder and poured out all he knew in a combination of chittering and thoughts.

The odd reptiles preferred eating young farm animals, grain, and feed. They did nothing to combat the population of rats, insects, and vermin. No farmer allowed the snakes on his property if he could help it. “Find the nest,” Kale ordered. “Destroy them all.”

The watch of dragons took flight again, zooming into lightrockilluminated passages leading off from this central room. Kale waited until a small group raised an alarm. Four minor dragons had found the nest.

She plunged down a dim passage, sending a plume of light ahead and calling for the dispersed dragons to join her. Eleven came from the other corridors, and nine flew in a V formation in front of her. Gally and Mince landed on her shoulders.

“You’re all right. I’m so glad.”

They scooted next to her neck, shivering. From their minds she deciphered the details of their ordeal. A game of hide-and-seek had led them into the depths of the castle. When the snake surprised them, they’d flown under the off-center lid of the barrel. As Mince dove into the narrow opening, he knocked the top just enough for it to rattle down into place. This successfully kept the serpent out, but also trapped them within.

Kale offered sympathy, and they cuddled against her, rubbing their heads on her chin as she whisked through the underground tunnel in pursuit of the other dragons.

Numerous rooms jutted off the main hallway, each stacked with boxes, crates, barrels, and huge burlap bags. Kale had no idea this vast amount of storage lay beneath the castle. Taylaminkadot, their efficient housekeeper and wife to Librettowit, probably had a tally sheet listing each item. Kale and the dragons passed rooms that contained fewer and fewer supplies until the stores dwindled to nothing.

How long does this hallway continue on? She slowed to creep along and tiptoed over the stone floor, noticing the rougher texture under her feet. Approaching a corner, she detected the four minor dragons destroying the snake’s nest in the next room. Her escort of flying dragons veered off into the room, and she followed. The small dragons swooped over the nest, grabbed an egg, then flew to the beamed roof of the storage room. They hurled the eggs to the floor, and most broke open on contact. Some had more rubbery shells, a sign that they would soon hatch. The minor dragons attacked these eggs with tooth and claw. Once each shell gave way, the content was pulled out and examined. No
hatchling snake survived.

The smell alone halted Kale in her tracks and sent her back a pace. She screwed up her face, but no amount of pinching her nose muscles cut off the odor of raw eggs and the bodies of unborn snakes. She produced a square of moonbeam material from her pocket and covered the lower half of her face. The properties of the handkerchief filtered the unpleasant aroma.

Her gaze fell on the scene of annihilation. Usually, Kale found infant animals to be endearing, attractive in a gangly way. But the small snake bodies looked more like huge blackened worms than babies.

Toopka raced up behind her and came to a skidding stop when she reached the doorway. “Ew!” She buried her face in the hem of Kale’s tunic, then peeked out with her nose still covered.

The minor dragons continued to destroy the huge nest. Kale estimated over a hundred snake eggs must have been deposited in the old shallow basket. The woven edges sagged where the weight of the female snake had broken the reeds. Kale shuddered at the thought of all those snakes hatching and occupying the lowest level of the castle, her home. The urge to be above ground, in the light, and with her loved ones compelled her out of the room.

Good work, she commended the dragons as she backed into the passage. Artross, be sure that no egg is left unshattered.

She received his assurance, thanked him, then turned about and ran. She must find Bardon.

“Wait for me!” Toopka called. Her tiny, booted feet pounded the stone floor in a frantic effort to catch up.


Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.

Sunday, June 01, 2008

Reader/Writer Tidbits -- June 1, 2008

Hope everyone is enjoying a wonderful weekend. Quick writing update: I've got the first chapter in the hopper and am well into chapter two. Some time this week I'll get a new progress meter up for GGFF.

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Didn't mean to make everyone work so hard! My apologies. You can now easily subscribe to this blog in the right sidebar (still working on the layout but the little icons are there) or, if you need to contact me, my email address is now visible in my profile. Thanks for being so resourceful and figuring it all out yourselves up til now. smile

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Thought I'd share some interesting tidbits I've picked up recently:

First there was Ms. Snark. Now there's Query Shark! Literary agent Janet Reid dissects real query letters on her blog (with permission, of course), indicating what's good and not so good about each one.

Find it difficult to make time of reading? Try Daily Lit. Get selected books in installments by email or RSS fee, and read a book in less than 5 minutes per day!

Looking for inspirational romance markets? Here's a new one, Capstone Fiction, founded by two Christian publishing veterans "to create opportunities for new, talented Christian writers and to promote leading-edge fiction by established Christian authors".

How about a short story contest? Win $3,000 from Real Simple magazine in the Life Lessons Contest.

I'm not big on historical romance. I like it all right but I don't go out of my way to look for it or read it. Yet every now and then, one falls into my lap. This time it's Julia Quinn's The Duke and I, which Avon Romance is offering as a free read to promote her latest book, The Lost Duke of Wyndham. So if you have time and you want a frolicking fun (and funny) read, check it out. I've plowed through the first three chapters already and can't wait to read more!

Aware of the ongoing debates about ethnic fiction and how it is handled by both publishers and booksellers? Author Tracy Montoya interviewed Kelli Martin, new Senior Editor at Kimani Press, who provides some very insightful comments on the subject. Read the first part of the interview here.

That's it for now.

Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.

Peace & Blessings,
Patricia

Stay focused. Be deliberate. Believe.