I started my post on this yesterday but from a few emails and loops that I've seen, I can tell this one's going to get a lot of discussion in the blogosphere. (
Warning: this one's kinda long.) Publisher's Weekly has an article about mainstream publishers who are releasing books with "Christian undertones". Read the article
here.
Personally, I don't care who publishes the book as long as it's entertaining and, because it's Christian fiction, the material included is Biblically supported.
That's not to say Christian fiction shouldn't have controversy or deal with difficult subject matter. After all, the Bible does, doesn't it?
I've read Christian fiction books that have touched on divorce, abortion, infidelity, homosexuality, mental illness, war, AIDS, and a host of issues, behaviors or attitudes that some might find questionable, if not offensive.
I don't. Because Christians, at least the ones I know, struggle with the same problems that non-believers do. The dividing line is first and foremost that we believe in the saving power of Christ's resurrection. Beyond that the differences between Christians and others lie in how we handle our problems, both in behavior and attitude, and where we go for our answers. We're in no way exempt from dealing with, facing, or finding ourselves in the midst of controversial or sensitive issues.
In this regard, I find Christian fiction from mainstream publishers tends to be a bit more honest or realistic. One way this has been true has been to publish books with a more multicultural cast of characters.
In fairness, I believe the long-held belief about what constitutes Christian fiction has changed quite a bit in recent years and continues to evolve for the Christian publishers. Christian publishers definitely are extending the boundaries beyond the traditional fare. One that comes to mind is Revell, home to Julie Lessman's sensual
A Passion Most Pure (from the Daughters of Boston series) and to Marilynn Griffith's
Rhythm of Grace and her previous multicultural Shades of Style series.
Then there's Multnomah which published Francine River's
Redeeming Love, a book widely regarded as the best ever in Christian fiction but includes prostitution, rape, and other touchy subjects. Zondervan published Camy Tang's Sushi series about a family of Asian single cousins and James Scott Bell's legal thrillers. Harvest House publishes Brandt Dodson's Colton Parker mystery series, which has a very atypical lead character. (I believe he smokes.) B&H Publishing Group publishes Rebeca Seitz' multicultural Scrapbooking series. Tyndale House's
Riven by Jerry Jenkins focused on the death penalty.
It's also true, however, that a good number of the single-title books I've read and enjoyed over the last three years were from mainstream publishers.
All of Victoria Christopher Murray's books, published by Simon & Schuster. ReShonda Tate Billingsley's books, which are published by Pocket Books. Angela Benson's latest release from Avon,
Up Pops the Devil. Michele Andrea Bowen's books and the new multicultural YA series by Shelley Adina, from Hachette. Rachel Hauck's
Georgia on My Mind and Allie Pleiter's
Bad Heiress Day, both from Steeple Hill Cafe. I could go on.
So far, I've only talked about single-titles. When it comes to category romance, Harlequin is king. I read a lot of books in their Steeple Hill Love Inspired line. (The Cafe line mentioned above publishes both single-title and series books.) Steeple Hill is very clear about what's acceptable behavior and what is not for their books, and it tends to be a pretty strict list. Things like no smoking, no divorce, no dancing, no card-playing, no drinking... The list goes on.
I'm okay with this because when I pick up a Love Inspired title, I know
exactly what to expect. In fact, I'm
looking for that clearly defined, wholesome Christian story. I'm never disappointed. If I want edgier fiction, I know to go elsewhere.
But even at Harlequin, stories are beginning to touch on more complex subject matter and to include a diversity of characters.
So I guess my position is that there's a place for it all. For "Pollyanna" type stories. For stories that take on difficult subjects but in a very "behind closed doors, off the page" kind of way. For stories that push the boundaries a bit but, in a way that is neither salacious nor gratuitous and focuses more on the overall story impact than the minute details of an act or event. For stories based in a single community or that spread across racial and ethnic lines. Just as Christianity is broad and diverse in practice so is Christian fiction in content.
Let me be clear. A novel that has main characters who profess Christianity but don't in anyway appear to live, think, or act as such nor grow over the course of the story to do so is not, in my opinion, Christian fiction. Neither is a novel that may simply have a scene or two set in a church. Might be a good story but it's not Christian fiction because Christian fiction is about the faith journey, a journey that is different for every character in every story.
Mainstream publishers releasing Christian fiction titles is a good thing. More publishing opportunities for aspirants like me. Authors are able to reach a broader audience due to distribution, bookstore shelf placement, and possibly bigger promotional budgets.
I just would hate to see Christian publishers go the way of small, Christian bookstores, which have begun to disappear faster than the blink of an eye due to competition from bigger, secular stores, like Wal-mart and Costco. I don't think they will because, combined with the mainstream publishers, the Christian publishers provide a rich breadth of story that is needed and wanted.
Had you noticed this trend? Does it matter to you who publishes the work? Do you see differences in the Christian fiction you read when published by a mainstream publisher vs. a Christian publisher?
Peace & Blessings,
Patricia
Stay focused. Move Forward. Believe.
Peace & Blessings,
Patricia
Stay focused. Be deliberate. Believe.